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In this month’s column, James Jolly finds out about Apple’s obvious commitment to classical music and, especially, about one of its two labels, the London-based Platoon
Hattie Butterworth explores this young British composer’s unique influences and how collaborations are crucial to his work
Imogen Holst’s music plays a major part in contemporary music label NMC’s 35th-anniversary celebrations. Founder and Executive Producer Colin Matthews chats with Richard Bratby about the composer and her importance to NMC
Rob Cowan and Jeremy Nicholas discuss Alfred Cortot’s 1933/34 recording of Chopin’s 24 Preludes, Op 28
As Atlanta Symphony Orchestra’s Music Director Nathalie Stutzmann releases her first symphonic album, James Jolly travels to Georgia to watch her at work
Pablo Heras-Casado talks to Mark Pullinger about recording Bruckner on period instruments
Why the Orchestre Philharmonique de Radio France deserves your vote for the 2024 Orchestra of the Year Award
The 12-piece vocal ensemble performs as part of the LIVE from London festival
Why the Czech Philharmonic deserves your vote for the 2024 Orchestra of the Year Award
This Sunday, July 28, one of America’s great piano competitions gets underway - don't miss it!
Perfoming 'Domine ad adjuvandum', this is an extract from a full concert by Ex Cathedra which is part of this year's LIVE From London Summer festival
The Swedish ensemble perform as part of this year's 'LIVE from London' Summer festival
Editor Martin Cullingford introduces the August issue of Gramophone, featuring interviews with Joana Mallwitz and Leonard Slatkin
This month we feature outstanding new recordings from Konstantin Krimmel, Rebeca Omordia, Paavo Järvi and Gustavo Dudamel
As her recording of Kurt Weill symphonies, her first album for DG, is about to be released, conductor Joana Mallwitz speaks with Richard Bratby
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