Win copies of John Adams's The Gospel According to the Other Mary

• Wednesday, January 14, 2015

Gramophone has 20 copies of John Adams's The Gospel According to the Other Mary to give away. Enter the prize draw to win!

Mahler's Symphony No 4, by David Zinman

• Wednesday, January 14, 2015

'More!' The surprising history of the encore

• Monday, January 12, 2015

Jeremy Nicholas explores the history of the encore and why there is a fine line between delighting the audience and boring them to tears

Top 10 20th-century violin concertos

• Friday, January 9, 2015

Our pick of the finest violin concertos written in the 20th century and in modern musical language

The Gramophone Choice: Verdi's Il trovatore

• Thursday, January 8, 2015

We recommend the best recordings of Verdi's famous opera

The Gramophone Choice: Handel's Ariodante

• Thursday, January 8, 2015

Recommended recordings of Handel's opera

What the vinyl revival reveals

• Tuesday, January 6, 2015

Editor’s Choice recordings – January 2015

• Monday, January 5, 2015

Gramophone's Editor Martin Cullingford picks the finest recordings from this month's reviews

Alfred Brendel: the last interview

• Sunday, January 4, 2015

Alfred Brendel, one of the world’s great pianists, gives his final interview to Stephen Plaistow as he retires from the concert platform

Conducting Handel

• Friday, January 2, 2015

Paul McCreesh gives a conductor's perspective on Handel...

Mstislav Rostropovich shares his memories

• Thursday, January 1, 2015

Mstislav Rostropovich shares his memories with Tully Potter (from the April 2007 issue of Gramophone)

'Mon coeur s'ouvre a ta voix' (November 1924)

• Thursday, January 1, 2015

Few operas have so romantic a history as Samson et Dalila. Herman Klein reflects on its 1893 London premiere (Gramophone, November 1924)

An interview with Karajan at 80

• Thursday, January 1, 2015

Richard Osborne talks to Herbert von Karajan (Gramophone, April 1988)

Debussy: Playing with Colour

• Thursday, January 1, 2015

Debussy emancipated the orchestra, capitalising on its colours and freeing up its expressive potential. Geoffrey Norris talks to some of today’s leading Debussy interpreters about the ongoing resonance of his music

Aimez-vous Brahms?

• Thursday, January 1, 2015

James Jolly talks Brahms with conductors Bernard Haitink and Marin Alsop, both at work on symphony cycles