What exactly is a beautiful sound?
- Friday, March 20, 2015
Bob Dylan’s defence of his own singing voice raises questions about the perception of beauty in music that composers and musicians can’t afford to ignore
Bob Dylan’s defence of his own singing voice raises questions about the perception of beauty in music that composers and musicians can’t afford to ignore
Jed Distler looks at the career and recordings of one of the greatest pianists of the 20th century, a performer whose range of repertoire was as large as it was idiosyncratic
Gramophone recommends some of the very best recordings of Handel's opera
In the late 1960s and early ’70s, Pavarotti’s voice evolved into a thing of great beauty. Philip Kennicott charts Pavarotti’s progress from callow artist to self-sustaining singer
Maria Callas’s famous 1953 Tosca, as Christopher Cook reveals for the first time, was riven by tension and driven by a relentless quest for perfection
Premiered in 1908, it was almost 70 years before Rachmaninov’s Second Symphony came in from the cold, finds David Gutman
The angular, brazen and fiercely individual music of this true Irishman undergoes colourful analysis by Paul Griffiths
To mark the centenary of his birth today, we revisit an interview from exactly 25 years ago when Anne Inglis met up with Sir Charles to talk over some of his new releases (reprinted from Gramophone, March 1990).
Who should join the illustrious honourees in Gramophone's Hall of Fame?
A selection of recordings by just a few of the most stimulating of today's composers
Recommended recordings of Saint-Saëns's chamber works
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.