‘Working with contemporary composers is the main purpose of any company’
- Tuesday, September 27, 2016
One year into his Music Directorship of the Royal Ballet, Koen Kessels is determined to forge relationships with new composers, writes Sarah Kirkup
One year into his Music Directorship of the Royal Ballet, Koen Kessels is determined to forge relationships with new composers, writes Sarah Kirkup
The live stream from Dutch National Opera is conducted by Ivor Bolton
Hugo Shirley takes Strauss's Four Last Songs as his starting point for a musical journey
James Jolly uses Strauss's Four Last Songs as a point of departure for exploring the soprano voice
Nathaniel Gore explores the varying tone of the flute as the instrument evolved
Soprano Anna Prohaska highlights 10 arias sung by characters in extremis
Jed Distler traces the path of minimalism, from Purcell to Reich
David Threasher and Geraint Lewis explore some of the finest Anglican music of the 20th century
Gavin Dixon celebrates the centenary composer’s impressively broad output
Hannah Nepil recommends works whose origins are in the sounds of bell-ringing
Starring Roderick Williams as Onegin and Natalya Romaniw as Tatyana
James MacMillan travels to St Kilda to play the traditional music that was so nearly lost forever
Wonderful insights into Beethoven's masterpiece from the Argentine pianist
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