Jacqueline du Pré: essential recordings

• Friday, October 6, 2017

In the studio or live, du Pré’s charisma shines through

The best new classical albums – October 2017

• Friday, October 6, 2017

Martin Cullingford’s pick of the finest recordings from this month’s reviews

Introducing Gramophone's October 2017 issue

• Friday, October 6, 2017

Product of the Month: Quad VA-One

• Thursday, October 5, 2017

An innovative compact amplifier combining ‘retro’ thinking and the very latest digital audio technology.

Songs of our time

• Thursday, October 5, 2017

New music, like whisky, needs time to mature

• Thursday, October 5, 2017

Should performers do more to engage their audiences?

• Wednesday, October 4, 2017

Glenn Gould: essential recordings

• Wednesday, October 4, 2017

A brief guide to a few of Gould's most outstanding achievements on record

Playlist: great orchestrations

• Tuesday, October 3, 2017

How to give perfect voice to another composer's music, by James Jolly

Playlist: new endings

• Tuesday, October 3, 2017

To tie-in with our cover story about Mozart's Requiem, James Jolly explores some more great unfinished works

Glenn Gould and the art of recording

• Tuesday, October 3, 2017

How Glenn Gould’s relationship with his audience created a new authenticity in performance, by Richard Eyre

Video: Benjamin Appl sings Millöcker's 'Dunkelrote Rosen'

• Tuesday, October 3, 2017

Benjamin Appl's wonderful performance at the 2017 Gramophone Awards ceremony

Getting to the heart of Glenn Gould

• Monday, October 2, 2017

Leading musicians explain why, 35 years after his death, Glenn Gould remains a musical icon. Interviews by James McCarthy and Martin Cullingford

Glenn Gould: man, musician, myth and mystique

• Monday, October 2, 2017

Today, the fascination with Glenn GouId's art is as intense as ever. Fellow Canadian Rick Phillips examines this unique musician

Why is Sibelius's piano music so neglected?

• Friday, September 29, 2017

Leif Ove Andsnes champions the composer's keyboard music