The Listening Room: Episode 79 (19.8.19)

• Monday, August 19, 2019

When music for the silver screen strikes gold

• Friday, August 16, 2019

Nicola Benedetti interview: ‘I’m interested in capturing those who listen with a real consciousness and curiosity’

• Thursday, August 15, 2019

The Scottish violinist takes an unusual route to exploring her Celtic connections, courtesy of two works written for her by jazz supremo Wynton Marsalis, writes Charlotte Gardner

Video: Classical Music isn't Dead. Nor is the CD

• Wednesday, August 14, 2019

Composer David Bruce and Signum's Steve Long shine a light on the classical recording scene

The best new classical albums: September 2019

• Wednesday, August 14, 2019

Editor Martin Cullingford’s pick of the finest recordings from this month’s reviews

Contemporary composer: Brian Elias

• Monday, August 12, 2019

A culturally diverse upbringing and an idealistic mindset have resulted in a special contemporary voice, writes Stephen Plaistow

The Listening Room: Episode 78 (5.8.19)

• Monday, August 5, 2019

Brahms's Four Serious Songs: the greatest recordings

• Friday, August 2, 2019

Brahms’s final set of songs has attracted a range of singers to its dark sound world. Richard Wigmore assesses some available versions

Video of the day: 16-year-old Doomin Kim records Mendelssohn for Warner Classics

• Friday, August 2, 2019

A prodigiously gifted pianist, Doomin Kim makes his debut recording

Video of the day: Chiaroscuro Quartet Live from Wigmore Hall

• Monday, July 29, 2019

A live-streamed concert featuring music by Beethoven and Schubert

Kosmos - mavericks still, ‘rebels’ no more

• Friday, July 26, 2019

Fostering a new generation of women conductors in opera

• Friday, July 26, 2019

The Listening Room: Episode 77 (22.07.19)

• Monday, July 22, 2019

Video of the day: Kronos Quartet play Terry Riley's Beebopterismo

• Monday, July 22, 2019

Riley's piece includes plasma waves recorded by NASA's Voyager 1 and 2 probes

How do you write a TV theme for the BBC Proms?

• Friday, July 19, 2019

An iconic festival, prime-time audience, and just 20 seconds to work with...it's not an everyday challenge, discovered composer Ian Arber