Mariss Jansons – as I knew him

• Tuesday, December 3, 2019

Mariss Jansons: the last Gramophone interview

• Monday, December 2, 2019

As a tribute to Mariss Jansons, who has died at the age of 76, we reprint our final interview with him, published in February last year

Notes on a royal scandal – Lully’s Isis

• Friday, November 29, 2019

Contemporary Composer: Sofia Gubaidulina

• Friday, November 29, 2019

Gavin Dixon salutes a composer whose music was once smuggled out of Russia and who remains a powerful creative force in her 80s

Gramophone Collection: Mendelssohn’s Violin Concerto

• Thursday, November 28, 2019

Charlotte Gardner sifts through the available recordings of a work that is in every violinist’s repertoire

Video: Hans Rosbaud – an unsung hero of the rostrum?

• Wednesday, November 27, 2019

Rob Cowan presents a guide to the finest recordings by an unfairly overlooked conductor: Hans Rosbaud

Gramophone Collection: Schumann’s Second Symphony

• Wednesday, November 20, 2019

Nine decades of recordings reflect changing attitudes to Schumann’s Second, finds Richard Whitehouse

Video: 20 great violinists in 25 minutes!

• Tuesday, November 19, 2019

Rob Cowan offers a whistle-stop tour of some exceptionally characterful recordings by 20 of the finest violinists of the century

Celebrating the world’s true servants of music

• Tuesday, November 19, 2019

Video: A listener's journey through Dvořák's symphonies

• Monday, November 18, 2019

Rob Cowan journeys through Dvořák's symphonies, with Otmar Suitner's recordings as his guide

The Listening Room: Episode 85 (18.11.19)

• Monday, November 18, 2019

Gramophone Collection: Ockeghem’s Requiem

• Friday, November 15, 2019

The earliest surviving setting of the Requiem Mass has been recorded in a range of contrasting ways, reveals Fabrice Fitch

Recording Bach's Violin Concertos

• Friday, November 15, 2019

Inside Brahms’s Piano Sonata No 3 – with Nelson Goerner

• Thursday, November 14, 2019

Tim Parry talks to Nelson Goerner about the special qualities of Brahms’s finest piano sonata

The Art of Film Music

• Wednesday, November 13, 2019

Advances in technology and an increasing openness to new ideas has radically changed the craft of composing film scores, finds James McCarthy