Jóhann Jóhannsson’s Drone Mass: an introduction
- Thursday, March 24, 2022
Artists discuss what the Icelandic composer's powerful work means to them
Features
Emőke Baráth interview: ‘I had no vision for anything in my future but music’
- Thursday, March 24, 2022
The Hungarian soprano Emőke Baráth has enjoyed exploring the lower register of her voice in ‘Dualità’, her new solo album for Erato, which sees her teaming up with countertenor Philippe Jaroussky as conductor, discovers Amanda Holloway
Video of the Day: Stuart MacRae's 'Ursa Minor', by the Hebrides Ensemble
- Wednesday, March 23, 2022
Exclusive filmed preview from the forthcoming Delphian album
‘The St Matthew Passion is one of the most extraordinary human immersive experiences of all’ | Inside Bach's masterpiece, with Raphaël Pichon
- Wednesday, March 23, 2022
Raphaël Pichon reveals to Lindsay Kemp a studious and collaborative approach to this epic work
Respighi’s Fountains and Pines of Rome: a deep dive into the greatest recordings
- Tuesday, March 22, 2022
The composer’s Eternal City depictions are as much showpieces for recording engineers as they are for orchestras, says Mark Pullinger
Video of the day: Johan Dalene performs Nielsen's Violin Concerto
- Friday, March 18, 2022
Watch his winning performance from the 2019 Carl Nielsen International Competition
Gramophone Editor’s Choice: April 2022 | The best new classical recordings
- Friday, March 18, 2022
Featuring outstanding new recordings of Bach's St Matthew Passion, Gershwin's Rhapsody in Blue, Vivaldi's L’estro armonico, the complete Sibelius symphonies, Mendelssohn's String Quintets and more
Introducing the April 2022 issue of Gramophone, featuring Klaus Mäkelä
- Friday, March 18, 2022
Klaus Mäkelä: superb Sibelius from the most talked-about conductor of his generation | Handel’s Messiah: the finest recordings to hear | Johan Dalene: the young violinist’s concerto album | Glenn Gould: the making of a piano icon
Sponsored
10 Years of Early Music Day: A Decade Celebrating a Millennium
- Thursday, March 17, 2022
The 10th Early Music Day will celebrate music from Gregorian chant to baroque ballet, and much more
Richard Strauss’s Don Quixote: a guide to the greatest recordings
- Tuesday, March 15, 2022
Strauss’s portrayal of the legendary knight errant offers brilliant dramatic opportunities for bold cellists, conductors and orchestras. Hugo Shirley surveys a recorded history reaching back nine decades
Mozart in the midst of Covid: stories from the studio
- Friday, March 11, 2022
The AAM decided to use the pandemic period to complete its Mozart concerto cycle; here's how they met the many challenges
I Gemelli perform Calestani’s joyful Damigella tutta bella
- Wednesday, March 9, 2022
Watch the Baroque ensemble perform the opening track to their new album ‘A Room of Mirrors’
Contemporary Composer: Caroline Shaw
- Tuesday, March 8, 2022
The Pulitzer Prize-winner, who has worked with Renée Fleming and Kanye West, has much going for her, says Jonathan Shipley
The Listening Room (6.3.22)
- Sunday, March 6, 2022
Gramophone's Editor in Chief, James Jolly, picks some of the most ear-catching recent releases and offers a playlist of predominantly complete performances for Episode 123
Icon: Carlos Kleiber
- Friday, March 4, 2022
David Patrick Stearns offers a profile of Carlos Kleiber, a complex, fascinating conductor and an often prickly character under whose guidance even the greatest of artists would surpass themselves
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