Gramophone Editor’s Choice recordings – September 2014

• Friday, August 15, 2014

Read the reviews and stream this month's Editor's Choice recordings

HRT AirStreamer makes the wireless link between computer and hi-fi

• Friday, August 15, 2014

High-quality two-part system is perfect for streaming music services and computer-stored music

How much is a recording worth?

• Friday, August 15, 2014

Benjamin Grosvenor on the joy of learning a new work by Judith Weir – PLUS stream bonus tracks from 'Dances'

• Thursday, August 7, 2014

Impressions of war

• Monday, August 4, 2014

From Vaughan Williams to Schoenberg, the composers whose music was shaped by the horrors of war

The Gramophone guide to Carlo Bergonzi's greatest recordings

• Monday, July 28, 2014

Alan Blyth surveys the life and career of the great Italian tenor who has died at the age of 90

Pincher Martin premiere

• Friday, July 25, 2014

Introducing the Great Animal Orchestra Symphony

• Tuesday, July 22, 2014

Michael McManus witnesses the birth of a radical new work for wildlife and orchestra

Madama Butterfly in Sydney Harbour

• Tuesday, July 22, 2014

The BBC Proms is a global music festival, but do all orchestras now sound the same?

• Friday, July 18, 2014

With 10 international orchestras making their debuts at the Proms this year, Geoffrey Norris wonders what it is that gives an orchestra its national identity

Tavener and Salonen: reaching new audiences in unexpected ways

• Friday, July 18, 2014

Session report – Lawrence Power plays both violin and viola on his new Arthur Benjamin album

• Friday, July 18, 2014

The viola player swaps instruments to tackle Arthur Benjamin's chamber music for Hyperion

Session report – Oramo records Nørgård's symphonies in Vienna

• Friday, July 18, 2014

Richard Whitehouse looks on as the Vienna Philharmonic step out of their comfort zone with Nørgård's First and Eighth symphonies

Karajan: Portrait of the conductor as celebrity

• Monday, July 14, 2014

A classic Gramophone article, by HC Robbins Landon, March 1964

Why write symphonies?

• Wednesday, July 9, 2014