Naming an airport after Sibelius is a great idea

• Monday, February 23, 2015

'A piano duet which harnesses the ability of slime mould to perform computational tasks'

• Friday, February 20, 2015

How can anyone not like Haydn?

• Thursday, February 19, 2015

Philip Kennicott on discovering a rare, benighted breed – the Haydn-hater

Haydn - the poor man’s Mozart?

• Wednesday, February 18, 2015

In the two centuries since his death Joseph Haydn has been scandalously underrated, argues Richard Wigmore

Contemporary composer: John Adams

• Friday, February 13, 2015

James McCarthy celebrates that rare beast – a composer who writes music that is enjoyed by the critics and the public alike

Gramophone presents: Music, art and culture in Brazil

• Thursday, February 12, 2015

A cultural tour to São Paulo and Iguazú

The Gramophone Choice: Stravinsky's Rite of Spring

• Wednesday, February 11, 2015

We recommend some of the very finest recordings of Stravinsky's explosive ballet score

Stravinsky: As I See Myself

• Tuesday, February 10, 2015

Stravinsky on his life as a composer (Gramophone, August 1934)

With Valery Gergiev, Sir Simon Rattle and Alan Gilbert on the move, who will replace them?

• Monday, February 9, 2015

Monteverdi's Vespers – which recording is best?

• Monday, February 9, 2015

A pillar of Baroque sacred repertoire, Monteverdi’s Vespers is open to countless interpretations on record, as Lindsay Kemp discovers

Sydney Opera House illuminated by music

• Friday, February 6, 2015

Is the future of music tuition online?

• Thursday, February 5, 2015

Getting to grips with Unsuk Chin’s Etudes

• Monday, February 2, 2015

Music inspired by the photographs of Margaret Watkins

• Monday, February 2, 2015

The Gramophone Choice: Puccini's La bohème

• Sunday, February 1, 2015

Giacomo Puccini's opera La bohème was premiered in Turin in 1896. Here are our recommended recordings of the celebrated work.