Features
Icons – Antal Dorati
- Tuesday, March 22, 2016
Rob Cowan profiles the Hungarian-born American conductor and composer who made a difference wherever he went and left a vast and varied recording legacy
Icons – Grigory Sokolov
- Tuesday, March 22, 2016
Harriet Smith enters the rarefied and reclusive world of the Russian-born, Italian-based pianist who shuns the studio and is known to music lovers mainly for his live recordings
Icons – Robert Thurston Dart
- Tuesday, March 22, 2016
Edward Breen pays tribute to an early music pioneer – a highly regarded musician, recording artist, musicologist and lecturer who left a legacy that we are still enjoying today
Icons – Gundula Janowitz
- Tuesday, March 22, 2016
The soprano Elizabeth Watts pays tribute to a fellow singer who made a huge impact on her as a teenager and whose pure, silvery voice opened her ears to a whole new repertoire
Icons – Emma Kirkby
- Monday, March 21, 2016
Lindsay Kemp profiles the well-loved soprano who in the early days of period performance defined what an early music voice was – and whose sound continues to compel today
Icons – Stephen Kovacevich
- Monday, March 21, 2016
Geraint Lewis pays tribute to a true ‘pianist’s pianist’ and a complete musician – one who is as much at home on the podium as he is at the keyboard
Icons – Friedrich Gulda
- Monday, March 21, 2016
The Austrian ‘terrorist pianist’ was equally comfortable in both jazz and classical music. Philip Clark dispels the myths surrounding an artist who was entirely sure of his own vision
Icons – Anna Moffo
- Monday, March 21, 2016
Mike Ashman champions the versatile, charismatic, no-nonsense American soprano who had a natural way of making herself heard and could leave her sound forever etched on the memory
Icons – Leonid Kogan
- Monday, March 21, 2016
Tully Potter celebrates the greatest violinist he ever heard in concert, the Soviet player Leonid Kogan, whose rare talent is happily well represented on a host of recordings
Icons – The Busch Quartet
- Monday, March 21, 2016
They were first heard a century ago and their Beethoven recordings surpass all others. Tully Potter pays tribute to the Busch Quartet
Top 10 Janáček recordings
- Friday, March 18, 2016
In any gathering of the finest recordings of Janáček's music, one particular conductor's name is always going to loom large...
Inside Janáček’s Glagolitic Mass
- Tuesday, March 15, 2016
Conductor Tomáš Netopil talks to Hannah Nepil about finding the true spirit of Janáček
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