Kamasi Washington | My Music: ‘All music is connected in some way – like the way all people are connected, even if you don’t really acknowledge it’

• Tuesday, June 28, 2016

The saxophonist, composer and bandleader on the links between jazz and classical music, and how he wrote his epic triple-disc album

Grappling with the issues facing the industry

• Monday, June 20, 2016

A guide to Gérard Grisey's music

• Friday, June 17, 2016

Liam Cagney pays tribute to the pioneering spectralist composer

Editor's Choice recordings – July 2016

• Friday, June 17, 2016

Martin Cullingford’s pick of the finest recordings from this month’s reviews

Gallery: inside the rehearsal studio for ENO's Jenůfa

• Friday, June 17, 2016

Gramophone's July 2016 issue

• Friday, June 17, 2016

A life in music is a continuous process of discovery

• Wednesday, June 15, 2016

Being deaf in one ear made me the composer I am today

• Friday, June 10, 2016

Classics reconsidered: Heifetz's recording of Korngold's Violin Concerto

• Thursday, June 9, 2016

Jeremy Nicholas and Rob Cowan discuss the premiere recording from 1953

Gramophone collection: Mahler's Rückert-Lieder

• Wednesday, June 8, 2016

Richard Wigmore attempts to choose the ultimate recording of the Rückert-Lieder– a Mahlerian challenge if ever there was one…

Georges Bizet – a centennial tribute (Gramophone, October 1938)

• Wednesday, June 8, 2016

From the archive: John W Klein's appraisal of the composer from Gramophone in October 1938

Contemporary composers: Francis Pott

• Wednesday, June 8, 2016

Linking contemporary and ancient music, and displaying Western traditions with an Eastern European ethnicity, Francis Pott is a composer in touch with his human side, writes Caroline Gill

Period and modern instruments: the best of both worlds

• Friday, June 3, 2016

In search of the Miller Maid

• Friday, June 3, 2016

Introducing the Gregynog Festival 2016

• Thursday, June 2, 2016