Verdi's Macbeth: a complete guide
- Tuesday, October 4, 2016
Richard Wigmore reveals Verdi's creative process, Gianandrea Noseda provides unique insights, plus we give a guide to the greatest recordings
Richard Wigmore reveals Verdi's creative process, Gianandrea Noseda provides unique insights, plus we give a guide to the greatest recordings
Mike Ashman looks into the opera's genesis, Renée Fleming reflects on the role of Violetta, plus a guide to the key recordings
Jeremy Nicholas reveals Verdi's creative process, Bryn Terfel discusses the challenges of Falstaff, plus a guide to key recordings
Jeremy Corbyn received a short violin lesson from 10-year-old Jessica Kelly before playing in the orchestra
The Melodica Men perform the opening section of Stravinsky's ballet
One year into his Music Directorship of the Royal Ballet, Koen Kessels is determined to forge relationships with new composers, writes Sarah Kirkup
The live stream from Dutch National Opera is conducted by Ivor Bolton
Hugo Shirley takes Strauss's Four Last Songs as his starting point for a musical journey
James Jolly uses Strauss's Four Last Songs as a point of departure for exploring the soprano voice
Nathaniel Gore explores the varying tone of the flute as the instrument evolved
Soprano Anna Prohaska highlights 10 arias sung by characters in extremis
Jed Distler traces the path of minimalism, from Purcell to Reich
David Threasher and Geraint Lewis explore some of the finest Anglican music of the 20th century
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