Reputations: Montserrat Caballé

• Saturday, October 6, 2018

The soprano who had it all: charisma, technique and sublimity, who has died at the age of 85

Finding musical inspiration in scientific ideas

• Friday, October 5, 2018

Introducing Gramophone's October 2018 issue

• Friday, October 5, 2018

Bach on Record; Ingrid Fliter on Chopin; Vladimir Jurowski on Swan Lake

The best new classical albums: October 2018

• Friday, October 5, 2018

Martin Cullingford’s pick of the finest recordings from this month’s reviews

Patrick Hawes and performers commemorate World War 1

• Thursday, October 4, 2018

In defence of Salieri's failed opera, Les Horaces

• Tuesday, October 2, 2018

In Remembrance

• Tuesday, October 2, 2018

Why does pop music move us?

• Tuesday, October 2, 2018

Arvo Pärt and Viktoria Mullova: searching for musical freedom

• Monday, October 1, 2018

In applying her trademark steel and passion to Arvo Pärt’s measured simplicity, Viktoria Mullova has found hidden depths in his music – perhaps because, like Pärt, this violinist knows what it is to experience Soviet repression, writes Andrew Mellor

The Listening Room: Episode 45 (28.09.18)

• Friday, September 28, 2018

Celebrating success...but not taking it for granted

• Friday, September 28, 2018

Video premiere: Víkingur Ólafsson plays Bach

• Thursday, September 27, 2018

Ólafsson plays a prelude from Bach's Well-Tempered Clavier

Orchestra insight: Australian Chamber Orchestra

• Tuesday, September 25, 2018

Our monthly series telling the story behind an orchestra

What is Operetta?

• Tuesday, September 25, 2018

Richard Bratby surveys a musical form that can mean different things to different people

Chewing-gum and cheese: what makes a good children's song?

• Monday, September 24, 2018