Folks’ Music (Paul Hillier)
They reflect the meticulously-punctuated theme of that edition of the festival: the idea that new music in the western classical tradition belongs to us all
They reflect the meticulously-punctuated theme of that edition of the festival: the idea that new music in the western classical tradition belongs to us all
Knaggs embraces many historical influences, powerfully and unapologetically evident in an instantly relatable work
Across this whole volume there is simply not enough care and attention paid to legato phrasing of melodic line, particular in the pedal parts
Psalms and hymns are performed with as much care as the less familiar works
No one who loves Pärt’s music will want to be without this set
A lively instrumental introduction to this performance leads to disappointment when the choir enters
Sarah Connolly conveys Mary’s wonderment and even fear with grace and not a flutter of girlishness
Every note, every rhythmic delay, every extended up-beat, every spread chord is planned with astonishing detail
The vocal works seem to transcend speech, while the orchestral pieces clearly articulate their source texts
Some of the most insightfully earthy singing of Byrd (the Mass for Five Voices) you’re likely to hear
The Holloway singers don’t go sad-sack on it but simply and subtly temper their delivery
Damin Spritzer, as usual, plays this unknown repertoire with a impressive sense of devotion and attention to detail
The music translates extremely well to the sonorous Bätz organ in the generous acoustic of Utrecht’s Domkirk
An outstanding testament to one of the more remarkable European organists of the last 40 years
If you are an existing subscriber to Gramophone, International Piano or Opera Now and would like to upgrade, please contact us here or call +44 (0)1722 716997.