Review - The Mercury Masters: Antal Dorati in London
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Not all baroque aria recitals are created equal. A minority intertwine curiosity, imagination and insight. This collaboration between Roberta Mameli,...
Reviewed by David Vickers in issue: 06/2025
Arsilda, regina di Ponto (1716) is a drama of confusion revolving around disguised twins. Lisea has been told that her...
Reviewed by David Vickers in issue: 06/2025
Taking Mozart’s last 10 years as a starting point is not exactly stinting oneself. So it’s a tribute to this...
Reviewed by Neil Fisher in issue: 06/2025
This new recording of Le roi d’Ys is long overdue. Lalo’s wonderful opera, premiered in Paris in 1888, remains on...
Reviewed by Tim Ashley in issue: 06/2025
Towards the end of the 1730‑31 season Handel put on a radical reworking of his first London opera, Rinaldo. His...
Reviewed by David Vickers in issue: 06/2025
Less than 18 months ago we highlighted Albane Imbs as One to Watch as lutenist and founder of the vocal...
Reviewed by Edward Breen in issue: 06/2025
A warm welcome to this attractive and wide-raging anthology of Romantic European and Scandinavian part-songs, spanning the years 1825-1951. Reger’s opening...
Reviewed by Malcolm Riley in issue: 06/2025
This engaging, generous album takes us to the royal Swedish court in the second half of the late 17th century....
Reviewed by Fabrice Fitch in issue: 06/2025
Here’s an appetising slice of Viennese late Romanticism, which showcases a handful of influential figures drawn from that city’s Jewish...
Reviewed by Andrew Achenbach in issue: 06/2025
In his 100th-birthday year, Dietrich Fischer-Dieskau (1925-2012, known as DFD for short) is re-emerging as the pervasive presence that he...
Reviewed by David Patrick Stearns in issue: 06/2025
Rob Cowan dips into the latest Eloquence collections of the conductor’s recordings
Rob Cowan’s monthly survey of historic reissues and archive recordings
This compact, all-in-one hi-fi package from Pro-Ject strips away the system-matching fuss,...
‘There is very little comfort here for anyone who regards music as an ennobling or humanising force’
Andrew Farach-Colton enjoys a sumptuous set of the Japanese conductor’s recordings
Rob Cowan on sets honouring a composer anniversary and a Croatian conductor
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