(The) Andreas Bach Book
Full marks for an enterprising selection, and for the excellent playing, too
View record and artist detailsRecord and Artist Details
Composer or Director: Johann Adam Reincken, Johann Sebastian Bach, Johann Georg Küchenthal, Dietrich Buxtehude, Carlo Francesco Pollarolo, Christian Ritter, Johann Heinrich Buttstedt
Genre:
Instrumental
Label: Stradivarius
Magazine Review Date: 10/2004
Media Format: CD or Download
Media Runtime: 76
Mastering:
Stereo
DDD
Catalogue Number: STR33639
Tracks:
Composition | Artist Credit |
---|---|
Praeludium |
Dietrich Buxtehude, Composer
Dietrich Buxtehude, Composer Maurizio Croci, Organ |
Fugue (Gigue) |
Dietrich Buxtehude, Composer
Dietrich Buxtehude, Composer Maurizio Croci, Organ |
Passacaglia |
Dietrich Buxtehude, Composer
Dietrich Buxtehude, Composer Maurizio Croci, Organ |
Ciacona |
Dietrich Buxtehude, Composer
Dietrich Buxtehude, Composer Maurizio Croci, Organ |
Chorale Preludes, Movement: Gottes Sohn ist kommen, BWV724 |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Maurizio Croci, Organ |
Fantasia |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Maurizio Croci, Organ |
Passacaglia and Fugue |
Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer Maurizio Croci, Organ |
Ballett: Partite diverse |
Johann Adam Reincken, Composer
Johann Adam Reincken, Composer Maurizio Croci, Organ |
Chanberceau |
Johann Georg Küchenthal, Composer
Johann Georg Küchenthal, Composer Maurizio Croci, Organ |
Capriccio |
Carlo Francesco Pollarolo, Composer
Carlo Francesco Pollarolo, Composer Maurizio Croci, Organ |
Prelude |
Johann Heinrich Buttstedt, Composer
Johann Heinrich Buttstedt, Composer Maurizio Croci, Organ |
Fugue |
Johann Heinrich Buttstedt, Composer
Johann Heinrich Buttstedt, Composer Maurizio Croci, Organ |
Sonatina |
Christian Ritter, Composer
Christian Ritter, Composer Maurizio Croci, Organ |
Author: Christopher Nickol
Croci’s enjoyable performances are clearly articulated and like many players in this repertoire he has a flexible approach to the basic pulse. His ornamentation perhaps could have been a little bolder but I’m sure he’ll become more daring with greater experience. His use of the marvellous organ at Payerne is certainly very colourful and striking with plentiful use of the reed stops. There are many beautiful quiet single registers to be heard, too, and this 1784 Grob organ, restored by Ahrend in 1993, is an excellent organ for this repertoire. The informative booklet lists all the registrations used, and this CD should be a rewarding experience for students and lovers of early 18th-century music.
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