STANFOD Complete Organ Works Vol 1
Priory launches complete Stanford organ works series
View record and artist detailsRecord and Artist Details
Composer or Director: Charles Villiers Stanford
Genre:
Instrumental
Label: Priory
Magazine Review Date: 12/2013
Media Format: CD or Download
Media Runtime: 80
Mastering:
DDD
Catalogue Number: PRCD1095

Tracks:
Composition | Artist Credit |
---|---|
Fantasia and Toccata |
Charles Villiers Stanford, Composer
Charles Villiers Stanford, Composer Daniel Cook, Organ |
Sonata for Organ No. 1 |
Charles Villiers Stanford, Composer
Charles Villiers Stanford, Composer Daniel Cook, Organ |
Sonata for Organ No. 2, 'Sonata Eroica' |
Charles Villiers Stanford, Composer
Charles Villiers Stanford, Composer Daniel Cook, Organ |
(6) Preludes |
Charles Villiers Stanford, Composer
Charles Villiers Stanford, Composer Daniel Cook, Organ |
Author: Marc Rochester
It is difficult to imagine that valuable service being more impressively performed than it is here. Priory has come up not merely with an exceptional recording but also with excellent packaging and coherent, distinguished notes from Jeremy Dibble. The sumptuous Willis organ of Salisbury Cathedral is one of the undisputed wonders of the British organ world: an instrument, one feels, which would sound fantastic even if a cat decided to walk up and down the Great with all stops drawn. And as an advocate of this music, playing it with authority and communicative zeal, Daniel Cook is pretty much peerless.
What lets the side down, I’m afraid, is the music itself. Solidly crafted, earnestly written and impeccably styled, it lacks inspiration; and while there are moments of elevated invention, we do have to trudge through an awful lot of mundanity to reach them. The Six Preludes are perfectly serviceable church voluntaries, but shorn of the background clatter of shoes on marble and gossiping voices they offer sparse fare to the attentive listener, while the two sonatas on this disc rely more on strength of construction than on musical charm. The best thing here is probably the Fantasia and Toccata, which, delivered by Cook with a superbly insouciant virtuosity, has moments of dazzling spectacle and certainly draws the very best out of this fine instrument.
I await further releases in this series not so much in the hope of musical enlightenment as in the certainty of excellent performances from Cook and lovely recordings from Priory.
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