Smetana Orchestral Works, Volume 1
Brass thrillingly to the fore: have these stirring tone-poems sounded better?
View record and artist detailsRecord and Artist Details
Composer or Director: Bedřich Smetana
Genre:
Orchestral
Label: Chandos
Magazine Review Date: 11/2007
Media Format: CD or Download
Media Runtime: 76
Mastering:
Stereo
DDD
Catalogue Number: CHAN10413
Tracks:
Composition | Artist Credit |
---|---|
Wallenstein's Camp |
Bedřich Smetana, Composer
BBC Philharmonic Orchestra Bedřich Smetana, Composer Gianandrea Noseda, Conductor |
Richard III |
Bedřich Smetana, Composer
BBC Philharmonic Orchestra Bedřich Smetana, Composer Gianandrea Noseda, Conductor |
Hakon Jarl |
Bedřich Smetana, Composer
BBC Philharmonic Orchestra Bedřich Smetana, Composer Gianandrea Noseda, Conductor |
(Der) Fischer (Rybár) |
Bedřich Smetana, Composer
BBC Philharmonic Orchestra Bedřich Smetana, Composer Gianandrea Noseda, Conductor |
March for Shakespeare Festival |
Bedřich Smetana, Composer
BBC Philharmonic Orchestra Bedřich Smetana, Composer Gianandrea Noseda, Conductor |
Venkovanka, '(The) Peasant Woman' |
Bedřich Smetana, Composer
BBC Philharmonic Orchestra Bedřich Smetana, Composer Gianandrea Noseda, Conductor |
Jubel-Ouvertüre |
Bedřich Smetana, Composer
BBC Philharmonic Orchestra Bedřich Smetana, Composer Gianandrea Noseda, Conductor |
Author: Ivan March
This is a superb disc. There have been distinguished collections of Smetana’s symphonic poems (notably a vintage Kubelík disc) but none quite to compare with this in excitement, richness of detail and, in the case of Wallenstein’s Camp, sonic spectacle – how well Smetana writes for the brass! Indeed this, Richard III and especially Hakon Jarl emerge afresh as symphonic poems every bit the equal of those of Liszt. The early Jubel Overture (1848) with its thundering, frantic opening timpani and energetic folksy flavour is a real find. So, too, is the beautiful watery tableau The Fisherman, which has a Wagnerian evocation gently reminding one of the moonlight sequence in Vltava.
But the key works are the first three mentioned above, Wallenstein’s Camp full of vivid military invention, Richard III with its atmospheric, doom-laden portrait, including a memorable dominating theme, gently lurching to represent the king’s gait. The orchestration is highly evocative, as it is in the even more ambitiously dramatic Hakon Jarl. Here the central lyrical section with its falling scalic main theme, introduced by harp and bass clarinet, is all but Tchaikovskian and leads to a superb climax. The Shakespeare March closes the programme boisterously.
Gianandrea Noseda draws wonderfully characterful and spontaneous playing from the BBC Philharmonic, and the Chandos engineers surpass themselves with the realistic vividness of the sound and the naturalness of the balance. Not to be missed.
But the key works are the first three mentioned above, Wallenstein’s Camp full of vivid military invention, Richard III with its atmospheric, doom-laden portrait, including a memorable dominating theme, gently lurching to represent the king’s gait. The orchestration is highly evocative, as it is in the even more ambitiously dramatic Hakon Jarl. Here the central lyrical section with its falling scalic main theme, introduced by harp and bass clarinet, is all but Tchaikovskian and leads to a superb climax. The Shakespeare March closes the programme boisterously.
Gianandrea Noseda draws wonderfully characterful and spontaneous playing from the BBC Philharmonic, and the Chandos engineers surpass themselves with the realistic vividness of the sound and the naturalness of the balance. Not to be missed.
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