Off the Map
Here be monsters: trans-ethnic collaborations take the listener beyond
View record and artist detailsRecord and Artist Details
Composer or Director: Evan Ziporyn, Osvaldo Golijov, Angel Lam, Gabriela Lena Frank
Genre:
Chamber
Label: World Village
Magazine Review Date: 3/2010
Media Format: CD or Download
Media Runtime: 0
Mastering:
Stereo
DDD
Catalogue Number: 468095
Tracks:
Composition | Artist Credit |
---|---|
Air to Air |
Osvaldo Golijov, Composer
Osvaldo Golijov, Composer Silk Road Ensemble |
Sulvasutra |
Evan Ziporyn, Composer
Evan Ziporyn, Composer Silk Road Ensemble |
Ritmos Anchinos |
Gabriela Lena Frank, Composer
Gabriela Lena Frank, Composer Silk Road Ensemble |
Empty Mountain Spirit Rain |
Angel Lam, Composer
Angel Lam, Composer Silk Road Ensemble |
Author: Peter Dickinson
The Silk Road Ensemble, which appeared at the Proms last season, was founded by Yo-Yo Ma in 1998 “to connect the world’s neighbourhoods by bringing together artists and audiences around the globe”. These high-profile American composers and performers fuse Eastern and Western traditions. Three of the four works include a string quartet along with various Eastern instruments and the celebrated pipa-player Wu Man is in three pieces. This trans-ethnic tradition was pioneered by Henry Cowell and more recently by Lou Harrison, whose Concerto for Pipa and Strings has been recorded by Wu Man (Mode, 7/08).
Ritmos Anchinos by Gabriela Lena Frank features the sheng, a Chinese mouth organ, as well as the pipa, a Chinese lute, and integrates these instruments effectively with the string quartet. The two movements of Empty Mountain, Spirit Rain by Angel Lam, with shakuhachi, are more contemplative, with a story about a five-year-old girl’s mystical encounter with her grandmother when she fails to realise that the old lady has died. Sulvasutra by Bang on a Can clarinettist Evan Ziporyn is Indian in influence with the tabla and traditional rhythmic structures.
Golijov is closer to folk than classical in his Air to Air, which employs the largest ensemble here. There’s a Galician bagpiper, an arrangement of an Arab melody, an incorporated Mexican field-recording and finally a Sardinian protest song. It’s a heady mix and Golijov knows how to package it for maximum impact. The CD booklet contains interviews but no biographies.
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