Järnefelt Orchestral Works

Record and Artist Details

Composer or Director: (Edvard) Armas Järnefelt

Label: Sterling

Media Format: CD or Download

Media Runtime: 63

Mastering:

DDD

Catalogue Number: CDS1021-2

Tracks:

Composition Artist Credit
Ouverture lyrique (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
Korsholm (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
Berceuse (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
Praeludium (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
(The) Song of the Crimson Flower, Movement: Shooting the rapids (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
(The) Song of the Crimson Flower, Movement: The fight (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
(The) Promised Land, Movement: Israel's captivity (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
(The) Promised Land, Movement: Elitzeba's lament (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
(The) Promised Land, Movement: Dance (Edvard) Armas Järnefelt, Composer
(Edvard) Armas Järnefelt, Composer
Gävle Symphony Orchestra
Hannu Koivula, Conductor
A pupil of Busoni and of Sibelius’s teachers, Wegelius and Becker, Armas Jarnefelt (1869-1958) also studied with Massenet from whom he acquired his love of Wagner. His music is in the national-romantic tradition and close in idiom to, say, Sibelius’s King Christian II music. The performances by his Swedish orchestra are seviceable, though there is more charm in this music than the conductor has found. Good recording.'

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