Hovhaness Symphony No 22, 'City of Light'; Cello Concerto
An excellent introduction to Hovhaness’s music, plus some intriguing early rarities
View record and artist detailsRecord and Artist Details
Composer or Director: Alan Hovhaness
Genre:
Orchestral
Label: American Classics
Magazine Review Date: 9/2004
Media Format: CD or Download
Media Runtime: 61
Mastering:
Stereo
DDD
Catalogue Number: 8 559158

Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 22, 'City of Light' |
Alan Hovhaness, Composer
Alan Hovhaness, Conductor Alan Hovhaness, Composer Seattle Symphony Orchestra |
Concerto for Cello and Orchestra |
Alan Hovhaness, Composer
Alan Hovhaness, Composer Dennis Russell Davies, Conductor János Starker, Cello Seattle Symphony Orchestra |
Author: Andrew Farach-Colton
Heard here in a composer-conducted disc-mate to the première recording of Hovhaness’s early Cello Concerto (1936), City of Light (1970) has some lovely ideas, like the surprisingly sweet and simple string melody in the middle of the ‘Angel of Light’ movement (beginning at 1'30"), and the third movement, Allegretto grazioso, which sounds like a minuet in oriental garb. The outer movements, however, outstay their welcome.
The Cello Concerto, on the other hand, is required listening for Hovhaness admirers. The composer destroyed several hundred of his compositions during a period of self-reflection in the early 1940s, but the Cello Concerto survived the cull, finally receiving its première in 1999 (by the same forces heard on this recording). The music’s modal tinge is pure Hovhaness, but there is a spareness to the writing that sets this work apart from its successors. Indeed, the tone is unrelievedly elegiac, making the Elgar Concerto seem positively jovial by comparison. János Starker brings sad nobility to the ruminative solo part, and Dennis Russell Davies makes the most of the Das Lied von der Erde-like orchestral texture in a warmly recommended disc.
The Cello Concerto, on the other hand, is required listening for Hovhaness admirers. The composer destroyed several hundred of his compositions during a period of self-reflection in the early 1940s, but the Cello Concerto survived the cull, finally receiving its première in 1999 (by the same forces heard on this recording). The music’s modal tinge is pure Hovhaness, but there is a spareness to the writing that sets this work apart from its successors. Indeed, the tone is unrelievedly elegiac, making the Elgar Concerto seem positively jovial by comparison. János Starker brings sad nobility to the ruminative solo part, and Dennis Russell Davies makes the most of the Das Lied von der Erde-like orchestral texture in a warmly recommended disc.
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