Hovhaness Symphonies
View record and artist detailsRecord and Artist Details
Composer or Director: Alan Hovhaness
Label: Delos
Magazine Review Date: 12/1993
Media Format: CD or Download
Media Runtime: 61
Mastering:
DDD
Catalogue Number: DE3137

Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 22, 'City of Light' |
Alan Hovhaness, Composer
Alan Hovhaness, Composer Alan Hovhaness, Conductor Seattle Symphony Orchestra |
Symphony No. 50, 'Mount St Helens' |
Alan Hovhaness, Composer
Alan Hovhaness, Composer Gerard Schwarz, Conductor Seattle Symphony Orchestra |
Composer or Director: Alan Hovhaness
Label: Delos
Magazine Review Date: 12/1993
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: CS3137

Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 22, 'City of Light' |
Alan Hovhaness, Composer
Alan Hovhaness, Composer Alan Hovhaness, Conductor Seattle Symphony Orchestra |
Symphony No. 50, 'Mount St Helens' |
Alan Hovhaness, Composer
Alan Hovhaness, Composer Gerard Schwarz, Conductor Seattle Symphony Orchestra |
Author: Andrew Achenbach
Indeed, a most beguiling lyrical impulse informs the first two movements of the Mount St Helens Symphony (No. 50) from 1983. The second, entitled ''Spirit Lake'', is particularly affecting. Insistent, strangely Sibelian pizzicatos form a background against which lonely woodwind sing out their expressive runes (on this evidence, Hovhaness's identification with nature is potent): this really is a most haunting creation, and I can't stop playing it! After a gentle introduction, the last movement, ''Volcano'', erupts with a vengeance (be warned—the awesome bass-drum thwack at 1'44'' nearly gave me a coronary!). The pounding central portion achieves a frightening momentum, and Hovhaness's sense of orchestral spectacle (such as those odious, yet startlingly effective trombone glissandos from 2'48'' onwards) produces some often thrilling sounds—no wonder the symphony went down so well with the public at its Seattle premiere. Granted, the coupling from 1971, City of Light (Symphony No. 22), is rather less interesting, yet both middle movements do possess a certain homespun charm. The composer directs here, and very competently too, though he doesn't quite draw playing of the same refulgent tonal richness from the splendid Seattle orchestra that Schwarz manages in the later work.
Over the years, the prolific output (as of October 1991, some 65 symphonies in all!) of this West-Coast mystic has always enjoyed vociferous support from a comparatively tiny band of devotees: this sumptuous-sounding disc could well change all that.'
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