HENSELT Piano Works
View record and artist detailsRecord and Artist Details
Composer or Director: (George Martin) Adolf (von) Henselt
Genre:
Instrumental
Magazine Review Date: 02/2017
Media Format: CD or Download
Media Runtime: 78
Mastering:
DDD
Catalogue Number: EPS005

Tracks:
Composition | Artist Credit |
---|---|
Introduction and Variations on a theme by Donizett |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
2 Petites Valses |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
Mon chant du cygne (Swan song) |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer |
Tableau musical - Fantaisie sur un air bohémien-russe |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
(2) Nocturnes |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
Valse mélancolique |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
Ballade |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
Impromptu |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
(12) Etudes, Movement: Vöglein-Etude |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
Wiegenlied |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer |
Grande Valse, '(L')aurore boréale' |
(George Martin) Adolf (von) Henselt, Composer
(George Martin) Adolf (von) Henselt, Composer Daniel Grimwood, Piano |
Author: Jeremy Nicholas
The best of Henselt, though, is unmissable in the right hands. Daniel Grimwood is a longtime champion of the composer and has had most of this music in his fingers for some time – and it shows. In Henselt’s most famous and oft-recorded work, ‘Si oiseau j’étais’ (Étude No 6 from the Op 2 set), he is superbly fleet and fluent. This brief study, which Grimwood himself describes as ‘a sadistic exercise in double notes’, is dispatched only three seconds slower than Rachmaninov’s miraculous 1923 recording. Then there is the Ballade, Op 31, the longest work here (13'53"), inferior to Chopin in its melodic appeal but a powerful tone poem nevertheless, with astonishing outbursts of flailing despair. In this and the opening track, the Variations on a theme from L’elisir d’amore (1837, premiered by Clara Schumann), Grimwood easily outshines the splashy Rüdiger Steinfatt (Koch Schwann, 1987). Among many other highlights are the second of the two Op 6 Nocturnes, ‘La fontaine’, and the once popular Wiegenlied, which are given lovingly phrased, thoughtful performances.
So there is plenty to enjoy on this well-recorded, handsomely presented disc, one that begs a second volume of Grimwood in the complete études and, fingers crossed, a third featuring the lonely pinnacle that is Henselt’s Piano Concerto.
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