D PURCELL The Judgment of Paris
View record and artist detailsRecord and Artist Details
Composer or Director: Daniel Purcell
Genre:
Vocal
Label: Resonus Classics
Magazine Review Date: 07/2014
Media Format: CD or Download
Media Runtime: 78
Mastering:
DDD
Catalogue Number: RES10128

Tracks:
Composition | Artist Credit |
---|---|
The Judgment of Paris |
Daniel Purcell, Composer
Amy Freston, Soprano Anna Dennis, Soprano Ashley Riches, Baritone Ciara Hendrick, Mezzo soprano Daniel Purcell, Composer Julian Perkins, Director Samuel Boden, Tenor Spiritato |
Author: Lindsay Kemp
Daniel Purcell was probably the younger brother of Henry and had notable theatre experience, having among other things completed Henry’s score for The Indian Queen. Of the Judgment entrants his is unsurprisingly the most ‘Purcellian’. The atmosphere is richly scored and expansive, unfolding in florid and sophisticatedly inflected vocal writing at a relaxed pace that makes it more like a hybrid of opera and ode than the more plain-speaking and theatrically focused offering from Eccles. Indeed, its high-flown manner, plus the fact that it lasts nearly half an hour longer than the Eccles, could explain why it failed to win. Yet if it is a tad self-indulgent as a stage work, it is still a good listen, its virtues including colourful and well differentiated music for the goddesses – Juno, Pallas and Venus – whose charms are judged by shepherd Paris.
Spiritato! and the Rodolfus Choir are both young ensembles, and if more polish may be expected in years to come, they show heartening dramatic energy under Julian Perkins’s assured direction (although it is a pity that some of the gaps between tracks impede dramatic momentum). The soloists cope reasonably well with Purcell’s heavy-duty melismas but again more experience may allow them to introduce more light and shade. The pick of them is Samuel Boden, who as an enraptured Paris sounds like the kind of intelligent and vocally comfortable high tenor to watch for, but I also enjoyed the aristocratic elegance of Anna Dennis’s Venus.
Well done to Resonus for jumping in where others have not. Who now will take on the Weldon?
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