Cecilia Bartoli: St Petersburg
View record and artist detailsRecord and Artist Details
Composer or Director: Domenico Cimarosa, Vincenzo Manfredini, Francesco Araia, Hermann Raupach, Johann (Adolph) Hasse
Genre:
Opera
Label: Decca
Magazine Review Date: 11/2014
Media Format: CD or Download
Media Runtime: 78
Mastering:
DDD
Catalogue Number: 478 6767DH
Tracks:
Composition | Artist Credit |
---|---|
(La) Clemenza di Tito, Movement: Prologue |
Johann (Adolph) Hasse, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Johann (Adolph) Hasse, Composer |
Seleuco, Movement: Pastore che a notte ombrosa |
Francesco Araia, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Francesco Araia, Composer |
La forza del amore e dell’ odio, Movement: Vado a morir |
Francesco Araia, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Francesco Araia, Composer |
(La) Vergine del Sole, Movement: Agitata in tante pene |
Domenico Cimarosa, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Domenico Cimarosa, Composer |
Carlo Magno, Movement: Fra lacci tu mi credi |
Vincenzo Manfredini, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Vincenzo Manfredini, Composer |
Carlo Magno, Movement: Non turbar que' vaghi rai |
Vincenzo Manfredini, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Vincenzo Manfredini, Composer |
Carlo Magno, Movement: A noi vivi, donna eccelsa |
Vincenzo Manfredini, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis Vincenzo Manfredini, Composer |
Altsesta, Movement: Razverzi pyos gortani, laja |
Hermann Raupach, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Hermann Raupach, Composer |
Altsesta, Movement: Idu na smert |
Hermann Raupach, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Hermann Raupach, Composer |
Siroe re di Persia, Movement: O placido il mare |
Hermann Raupach, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Hermann Raupach, Composer |
Altsesta, Movement: Marcia |
Hermann Raupach, Composer
(I) Barocchisti Cecilia Bartoli, Mezzo soprano Diego Fasolis, Conductor Hermann Raupach, Composer |
Author: Lindsay Kemp
Anyone expecting from that a diet of thin, phoned-in Neapolitan fare will be in for a surprise. There is rich music here, and dramatic too. The arias, all from opere serie, are expansive in vocal expression and orchestral colour, and crackingly good to listen to too. Araia’s ‘Vado a morir’ has a Venetian duskiness, his ‘Pastor che a notte ombrosa’ a placidly piping oboe encountering shivering violin figures suggestive of a palpitating heart; arias from Raupach’s Altsesta, the first-ever opera in Russian, show Classical poise as Alceste sacrifices herself, and scintillating athleticism and dash as Hercules prepares to enter Hell to a charivari of trumpets and drums such as surely no Fury could withstand; and the two arias and a chorus from Manfredini’s Carlo Magna include one in which the eponymous Charlemagne dispenses mercy while flute notes drop as the gentle rain. The Cimarosa, from 1788 and with a clarinet obbligato, has a more High Classical combination of vocal virtuosity and lyrical grace.
Bartoli, as ever, is in complete technical command of this music, which in places is as challenging as you’ll find at this period. It is pleasing to hear that the machine-gun attack that she has in the past applied to passagework has been moderated into something more fluid; but where before a certain over-intensity of tone has sometimes threatened to crush slighter music, these arias seem well able to stand up to it – and in any case, it is nothing to the vivid excitement brought to them by her tireless expressive commitment. The playing of I Barocchisti under Diego Fasolis, as on last year’s Steffani arias disc (11/13), is brilliant, surging, ardent.
Bartoli’s lavishly realised ‘project’ albums are regular treats. Proper research and thought goes into their selection and de luxe presentation, resulting in objects to be cherished and discoveries truly worthy of the making. Remember, it is only 15 years ago that she was performing this service for Vivaldi’s ‘forgotten’ operas, and look what has happened to them!
Discover the world's largest classical music catalogue with Presto Music.
Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
SubscribeGramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.