BIZET L’Arlésienne Suites FAURÉ Masques et Bergamasques
View record and artist detailsRecord and Artist Details
Composer or Director: Gabriel Fauré, Charles-François Gounod, Georges Bizet
Genre:
Orchestral
Label: Pentatone
Magazine Review Date: 07/2014
Media Format: Super Audio CD
Media Runtime: 69
Mastering:
DDD
Catalogue Number: PTC5186 358
Tracks:
Composition | Artist Credit |
---|---|
(L')Arlésienne - Suites |
Georges Bizet, Composer
Georges Bizet, Composer Kazuki Yamada, Conductor Suisse Romande Orchestra |
Masques et bergamasques |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Kazuki Yamada, Conductor Suisse Romande Orchestra |
Faust, Movement: BALLET MUSIC |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Kazuki Yamada, Conductor Suisse Romande Orchestra |
Author: Andrew Achenbach
Yamada displays an interpretative nous, strength of personality and scrupulous attention to detail that are singularly impressive, and he draws some (for the most part) winningly alert and tastefully refined playing from the OSR (whose principal flute and harp cover themselves in glory). His reading of Fauré’s adorable Masques et Bergamasques balances poise and spirit to consistently enchanting effect, the valedictory ‘Pastorale’ distilling a particularly affecting poignancy and rare grace. In both L’Arlésienne suites I still find it hard to set aside memories of Beecham’s wholly magical accounts with the RPO from September 1956 but Yamada conducts with no little élan: the achingly wistful Adagietto from No 1 is really very touching, while No 2’s ‘Farandole’ builds to a properly exhilarating finish (Ernest Guiraud’s ingenious and masterful combination of tunes pays off superbly here). In the Gounod Faust ballet music there’s some momentarily dodgy brass tuning to contend with at the start of the No 2 Adagio but otherwise all goes swimmingly, and I for one eagerly await future offerings from this gifted, budding maestro.
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