An English Fantasy
View record and artist detailsRecord and Artist Details
Composer or Director: Emma Johnson, John (Philip William) Dankworth, Patrick Hawes, Will Todd, Paul Reade
Genre:
Orchestral
Label: Nimbus Alliance
Magazine Review Date: 09/2016
Media Format: CD or Download
Media Runtime: 69
Mastering:
DDD
Catalogue Number: NI6328
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Tracks:
Composition | Artist Credit |
---|---|
Clarinet Concerto 'The Woolwich' |
John (Philip William) Dankworth, Composer
BBC Concert Orchestra Emma Johnson, Composer John (Philip William) Dankworth, Composer Philip Ellis, Conductor |
Clarinet Concerto |
Patrick Hawes, Composer
BBC Concert Orchestra Emma Johnson, Composer Patrick Hawes, Composer Philip Ellis, Conductor |
(The) Victorian Kitchen Garden |
Paul Reade, Composer
BBC Concert Orchestra Emma Johnson, Composer Paul Reade, Composer Philip Ellis, Conductor |
Concerto for Emma |
Will Todd, Composer
BBC Concert Orchestra Emma Johnson, Composer Philip Ellis, Conductor Will Todd, Composer |
Author: Mark Pullinger
Will Todd’s Concerto for Emma is impish and jazzy, with bluesy muted trumpet setting off the Ballad central movement. Johnson slips and slithers through the lively outer movements with a great sense of character. Also on the jazz spectrum is John Dankworth’s Concerto, composed for Johnson in 1995 and subtitled The Woolwich because it was Johnson’s local building society that sponsored the commission! Dankworth’s is a busy, cosmopolitan concerto, a magpie collection of differing styles and moods from its nostalgic slow movement to its catchy boogie-woogie finale.
Paul Reade’s Suite from The Victorian Kitchen Garden will be familiar to many readers from its use in the 1990s BBC television programme. Johnson revels in these five charming miniatures, of which the closing number, ‘Summer’, has become a great favourite with young clarinet students, having been on the ABRSM Grade 5 list for several years.
The most substantial work on the disc – and the most musically nourishing too – is Patrick Hawes’s Concerto, which exists thanks to Twitter. Hawes and Johnson ‘met’ online and the result is a fine new work. Johnson soars with ease in the gorgeous Sarabande, delicately scored and really rather haunting. The purposeful march for the finale ends with a sustained top C, pulled off with aplomb.
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