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Why I refuse to accept the current state of (non) play

    Blogs
  • Wednesday, August 19, 2020
    • | Gramophone
Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed state, whilst the rest of Europe creatively wakes up'

Max Bruch: Touching the Divine

    Features
  • Thursday, August 20, 2020
    • | Gramophone
He may have been less adventurous than Brahms but Bruch had a remarkable ear for melody, and in his late works he captured a profound level of expression, writes Andrew Mellor as we approach the centenary of the composer’s death

The Art of Operetta

    Features
  • Friday, January 15, 2021
    • | Gramophone
Richard Bratby discovers that operetta – traditionally considered the poor relation of operatic works – is deceptively difficult to pull off, requiring musicians to dig beneath its polished surface in order to express hidden emotional depths

Gramophone Editor's Choice: March 2021

    Features
  • Friday, February 19, 2021
    • | Gramophone
Hilary Hahn's 'Paris', Benjamin Grosvenor's 'Liszt', Ksenija Sidorova's ‘Piazzolla Reflections’, Salieri's Armida from Les Talens Lyriques and Christophe Rousset, and much more