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Elīna Garanča revels in the morally conflicted and emotionally complex femmes fatales who have become the mainstay of her career in opera. It’s just as well she draws a firm line between her life and her art…

Longborough Festival Opera: Die tote Stadt and Carmen | Live Reviews

Review

Friday, September 2, 2022

| Opera Now

I have never heard such a crisp rendition of Bizet's score, nor such sensuous and precise singing. Photography by Matthew Williams-Ellis

Schubert: Sonata in E-flat major Op post 122/D568 (G Henle Verlag HN 1557)

Review

Sunday, October 2, 2022

| International Piano

Henle’s layout is beautiful and clear, with discreet but helpful fingerings from Martin Helmchen

Lang Lang: a whole new world

Features

Wednesday, November 2, 2022

| International Piano

Virtuoso arrangements of tunes from Disney movies are the focus of Lang Lang's latest album, which he hopes will offer younger listeners a way into classical music. Owen Mortimer reports

George Xiaoyuan Fu: eclectic reflections

Features

Wednesday, November 2, 2022

| International Piano

George Xiaoyuan Fu explores resonances between the past and present in his debut album Mirrors, which juxtaposes Ravel with music by six later composers

Daniel Barenboim: The Pierre Boulez Saal Sessions (Beethoven Complete Piano Sonatas)

Review

Wednesday, November 2, 2022

| International Piano

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‘For Verdi and Puccini you need the wisdom of a voice that is juicy’ | Elīna Garanča interview

Longborough Festival Opera: Die tote Stadt and Carmen | Live Reviews

Schubert: Sonata in E-flat major Op post 122/D568 (G Henle Verlag HN 1557)

Lang Lang: a whole new world

George Xiaoyuan Fu: eclectic reflections

Daniel Barenboim: The Pierre Boulez Saal Sessions (Beethoven Complete Piano Sonatas)

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