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Why I refuse to accept the current state of (non) play

    Blogs
  • Wednesday, August 19, 2020
    • | Gramophone
Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed state, whilst the rest of Europe creatively wakes up'

Max Bruch: Touching the Divine

    Features
  • Thursday, August 20, 2020
    • | Gramophone
He may have been less adventurous than Brahms but Bruch had a remarkable ear for melody, and in his late works he captured a profound level of expression, writes Andrew Mellor as we approach the centenary of the composer’s death

The Art of Operetta

    Features
  • Friday, January 15, 2021
    • | Gramophone
Richard Bratby discovers that operetta – traditionally considered the poor relation of operatic works – is deceptively difficult to pull off, requiring musicians to dig beneath its polished surface in order to express hidden emotional depths

Gramophone Editor's Choice: March 2021

    Features
  • Friday, February 19, 2021
    • | Gramophone
Hilary Hahn's 'Paris', Benjamin Grosvenor's 'Liszt', Ksenija Sidorova's ‘Piazzolla Reflections’, Salieri's Armida from Les Talens Lyriques and Christophe Rousset, and much more

This Week's Essential New Albums

    Features
  • Friday, April 9, 2021
    • | Gramophone
Beethoven's Seventh Symphony from both Teodor Currentzis and Thomas Adès, solo Bach from Augustin Hadelich, Schumann's Lieder by Carolyn Sampson and Joseph Middleton, Tchaikovsky symphonies from Paavo Järvi and more...