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London's Royal Opera House announces name change

News

Tuesday, April 30, 2024

| Opera Now

The Covent Garden institution has rebranded ahead of their 2024/25 season

Kirill Karabits to present a day of Ukrainian music at London’s Southbank Centre

News

Monday, May 13, 2024

| Gramophone

The Chief Conductor of the Bournemouth Symphony Orchestra will showcase Voices from the East to celebrate the end of his 15-year tenure

Mishka Rushdie Momen interview: ‘We’ve inherited a lot culturally from the ideas of the Reformation, including a sort of paradoxical individualism’

Features

Friday, May 24, 2024

| International Piano

Mishka Rushdie Momen has recorded an album of works by composers working in the shadow of the Reformation, including Bull, Byrd and Gibbons. She tells Jessica Duchen about the enduring appeal of this music and why she plays it on a modern piano

Magdalene Ho: a pianist to watch

Features

Friday, May 24, 2024

| International Piano

Jed Distler is impressed by Magdalene Ho, a pianist of enormous promise who won the 2023 Clara Haskil Competition, and suggests some listening

Review - Mozart: ‘Complete Sonatas, Vols 5 & 6’ (Orli Shaham)

Review

Friday, May 24, 2024

| International Piano

‘Shaham’s concluding Rondeau defines lightness and crispness, replete with humorously timed grace notes’

Review - Grieg: Holberg Suite, Ballade & Lyric Pieces (Andrey Gugnin)

Review

Friday, May 24, 2024

| International Piano

‘Andrey Gugnin is a true poet of the keyboard and his commitment shines through in every bar’

Review - Mischa Levitzki: ‘The Complete HMV Recordings’

Review

Friday, May 24, 2024

| International Piano

‘His repertoire centres on the Romantics and in one flamboyant example after another he grabs you by the ears’

Review - ‘Passage secret’ (Ludmila Berlinskaya, Arthur Ancelle)

Review

Friday, May 24, 2024

| International Piano

‘The pianists manage to fuse finesse and heartiness in ways that make their performances sound fresh’

Review - Bartók: ‘Piano Music, Volume 9’ (Goran Filipec)

Review

Friday, May 24, 2024

| International Piano

‘Intended as exercises to nurture piano technique in every aspect, these create a rather disjointed impression heard collectively’

Review - ‘Russian Variations’ (Piers Lane)

Review

Friday, May 24, 2024

| International Piano

‘His playing throughout this album is of the highest order, his pianism unfussy, subtle and effortlessly efficient’

Search Results

London's Royal Opera House announces name change

Kirill Karabits to present a day of Ukrainian music at London’s Southbank Centre

Mishka Rushdie Momen interview: ‘We’ve inherited a lot culturally from the ideas of the Reformation, including a sort of paradoxical individualism’

Magdalene Ho: a pianist to watch

Review - Mozart: ‘Complete Sonatas, Vols 5 & 6’ (Orli Shaham)

Review - Grieg: Holberg Suite, Ballade & Lyric Pieces (Andrey Gugnin)

Review - Mischa Levitzki: ‘The Complete HMV Recordings’

Review - ‘Passage secret’ (Ludmila Berlinskaya, Arthur Ancelle)

Review - Bartók: ‘Piano Music, Volume 9’ (Goran Filipec)

Review - ‘Russian Variations’ (Piers Lane)

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