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Max Bruch: Touching the Divine

    Features
  • Thursday, August 20, 2020
  • | Gramophone
He may have been less adventurous than Brahms but Bruch had a remarkable ear for melody, and in his late works he captured a profound level of expression, writes Andrew Mellor as we approach the centenary of the composer’s death

The Art of Operetta

    Features
  • Friday, January 15, 2021
  • | Gramophone
Richard Bratby discovers that operetta – traditionally considered the poor relation of operatic works – is deceptively difficult to pull off, requiring musicians to dig beneath its polished surface in order to express hidden emotional depths

Gramophone Editor's Choice: March 2021

    Features
  • Friday, February 19, 2021
  • | Gramophone
Hilary Hahn's 'Paris', Benjamin Grosvenor's 'Liszt', Ksenija Sidorova's ‘Piazzolla Reflections’, Salieri's Armida from Les Talens Lyriques and Christophe Rousset, and much more