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Brünnhilde, by Deborah Voigt

Monday, June 19, 2017

| Gramophone

Deborah Voigt gives an insight into the extraordinary demands that are placed on her shoulders when she assumes the role of Brünnhilde

An ever-changing industry grows and blooms

Blogs

Monday, June 19, 2017

| Gramophone

Interview: London Contemporary Orchestra – reinventing music for film and television

Features

Wednesday, June 28, 2017

| Gramophone

Co-Artistic Directors of the LCO Hugh Brunt and Robert Ames talk about how the orchestra's new sample library, LCO Strings, is giving composers new worlds of sound to explore

A Pole apart: the remarkable music of Auschwitz survivor Szymon Laks

Blogs

Friday, July 7, 2017

| Gramophone

Choose your Recording of the Year 2017

Features

Monday, September 11, 2017

| Gramophone

Why is Sibelius's piano music so neglected?

Features

Friday, September 29, 2017

| Gramophone

Leif Ove Andsnes champions the composer's keyboard music

Glenn Gould and the art of recording

Features

Tuesday, October 3, 2017

| Gramophone

How Glenn Gould’s relationship with his audience created a new authenticity in performance, by Richard Eyre

Playlist: Influential ‘Ein feste Burg’

Features

Wednesday, November 29, 2017

| Gramophone

Tracing Martin Luther's great hymn through musical history

Competition: Win a copy of ‘Gold’, The King's Singers' triple album

Classical Music News

Monday, December 4, 2017

| Gramophone

To celebrate the 50th birthday of The King's Singers, we have 10 copies of 'Gold' to give away

The specialist's guide to offbeat 18th-century symphonies (with ten essential recordings)

Features

Monday, January 15, 2018

| Gramophone

We’re familiar with symphonies by the big-name composers of the era, but Nalen Anthoni sifts through the many thousands written during that time to find some remarkable lesser-known ones from around Europe

The 10 most bizarre and tragic composer deaths

Features

Thursday, January 18, 2018

| Gramophone

Tales of the deaths of composers such as Lully and Alkan are well known. Denying that he has a morbid streak, David Threasher looks into the notable deaths of some other composers, some bizarre, some heart-rendingly sad