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From the Archive: Peter Phillips on the music of Josquin

Podcasts

Friday, January 5, 2024

| Gramophone

The Tallis Scholars's director on the group's Award-winning survey

Josef Hofmann: The Historic Legacy

Features

Thursday, January 25, 2024

| International Piano

Mark Ainley offers an overview of the recorded legacy of one of the greatest of all 20th‑century pianists, Josef Hofmann, and suggests some essential listening

Gramophone magazine: a history – the 1980s

Features

Thursday, January 18, 2024

| Gramophone

The arrival of the CD gave the classical record industry a much-needed boost

Editor's Choice: February 2024 | The best new classical recordings

Features

Monday, January 29, 2024

| Gramophone

Featuring outstanding new releases from Behzod Abduraimov, Avi Avital, Sol Gabetta, Elena Urioste, Piotr Anderszewski, Cyrille Dubois, Les Talens Lyriques and more

Handel: Alcina at Seattle Opera, Washington | Live Review

Review

Wednesday, January 31, 2024

| Opera Now

‘Cutting some recitative and parts of arias only made the opera’s fantastical story line extremely hard to follow on opening night’

Freya Waley-Cohen: Spell Book with Manchester Collective at Milton Court Concert Hall | Live Review

Review

Friday, February 2, 2024

| Opera Now

The world-premiere of the complete eight-part song cycle sets mystical poetry with varying degrees of success

Gramophone: introducing the February 2024 issue, featuring Asmik Grigorian

Classical Music News

Friday, January 26, 2024

| Gramophone

Asmik Grigorian – the fearless soprano on Strauss and a life on stage

Video of the Day: Chopin in an empty Concertgebouw

Classical Music News

Friday, January 19, 2024

| Gramophone

Nicolas van Poucke performs the Nocturne in B major in the stark beauty of the iconic venue

Krystian Zimerman on Szymanowski, conducting and retirement

Podcasts

Friday, January 19, 2024

| Gramophone

The great Polish pianist discusses the music of his celebrated fellow countryman

The choral music of Charles Villiers Stanford

Features

Friday, February 23, 2024

| Choir and Organ

As we mark the centenary of Charles Villiers Stanford’s death, Jeremy Dibble explores the choral music and the lesser-known works which have seen recent revival and recording

Editor's Choice: March 2024 | The best new classical recordings

Features

Friday, February 23, 2024

| Gramophone

This month: Janáček's Katya Kabanova from the LSO and Sir Simon Rattle, Handel's Theodora by Arcangelo and Jonathan Cohen, and Marc-André Hamelin plays his own piano music

Celebrating Mozart: Concerto Budapest

Features

Monday, February 19, 2024

| Gramophone

Ahead of a special livestreaming partnership with Gramophone, Jack Pepper introduces one of Hungary’s rising star orchestras…

Bruckner’s Symphonies: the leading conductors of Bruckner’s music explore the symphonies

Features

Monday, February 19, 2024

| Gramophone

To mark the composer’s 200th anniversary we talked to ten of today’s leading conductors of his music about one symphony each. The result is a fascinating insight into of one of the most significant of all symphonic cycles

Michael Spyres and Christophe Rousset reflect on their new album: In the Shadows

Blogs

Friday, March 1, 2024

| Gramophone

Spyres and Rousset introduce In the Shadows

The New Busoni: Exercises and Studies for the Piano, Volumes 1 and 2 (Edition Breitkopf)

Review

Friday, March 8, 2024

| International Piano

There is a wonderful holistic unity, an organic authenticity about the way the exercises are presented

Introducing the Spring 2024 issue of Choir & Organ

News

Monday, February 26, 2024

| Choir and Organ

Norwich Cathedral: an organ restored to its full magnificence | Stanford Centenary: surveying the forgotten choral masterpieces 100 years since the composer's death

Cadogan Hall celebrates 20th anniversary

News

Friday, February 2, 2024

| Choir and Organ

Cadogan Hall to host renowned choral ensembles in 20th anniversary celebration

Lidiya Yankovskaya: ‘It was often people around my own age who were telling me that women shouldn’t conduct. I got hate mail’

Features

Thursday, April 4, 2024

| Opera Now

Whether conducting the English National Opera, championing refugee musicians or supporting young composers, Russian-American Lidiya Yankovskaya is mindful of the profound connections to her heritage, cultural identity and artistic conscience

Live Review: Le Piano Symphonique (Lucerne)

Review

Friday, March 8, 2024

| International Piano

In a very lively acoustic the Steinway piano was too brittle for this music but Fray coaxed it into subtlety between the moments of frenzy

London’s Newest Attraction: Leipzig’s Gewandhausorchester

Features

Wednesday, May 1, 2024

| Gramophone

In the summer of 2025, musicians will unite in the city for one of the most wide-ranging, comprehensive and star-studded festivals of Shostakovich’s music ever convened

Search Results

From the Archive: Peter Phillips on the music of Josquin

Josef Hofmann: The Historic Legacy

Gramophone magazine: a history – the 1980s

Editor's Choice: February 2024 | The best new classical recordings

Handel: Alcina at Seattle Opera, Washington | Live Review

Freya Waley-Cohen: Spell Book with Manchester Collective at Milton Court Concert Hall | Live Review

Gramophone: introducing the February 2024 issue, featuring Asmik Grigorian

Video of the Day: Chopin in an empty Concertgebouw

Krystian Zimerman on Szymanowski, conducting and retirement

The choral music of Charles Villiers Stanford

Editor's Choice: March 2024 | The best new classical recordings

Celebrating Mozart: Concerto Budapest

Bruckner’s Symphonies: the leading conductors of Bruckner’s music explore the symphonies

Michael Spyres and Christophe Rousset reflect on their new album: In the Shadows

The New Busoni: Exercises and Studies for the Piano, Volumes 1 and 2 (Edition Breitkopf)

Introducing the Spring 2024 issue of Choir & Organ

Cadogan Hall celebrates 20th anniversary

Lidiya Yankovskaya: ‘It was often people around my own age who were telling me that women shouldn’t conduct. I got hate mail’

Live Review: Le Piano Symphonique (Lucerne)

London’s Newest Attraction: Leipzig’s Gewandhausorchester

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