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Bruckner: the leading conductors of his music explore the symphonies | Ravel's Gaspard de la nuit from Abduraimov | Stravinsky's Firebird: the best recordings to hear

Recordings of the Year 2023: free digital magazine

Features

Wednesday, December 20, 2023

| Gramophone

Our essential roundup of the most outstanding classical recordings of 2023, featuring all of our Recordings of the Month and Editor's Choices, plus the 2023 Gramophone Award winners

Critics Choice: Jan/Feb | The best new piano recordings

Review

Thursday, February 8, 2024

| International Piano

Featuring outstanding new releases from Behzod Abduraimov, Mark Viner, Peter Donohoe and Katya Apekisheva & Charles Owen

Russell Thomas interview: ‘I will always speak for the idea that we need to have diverse voices’

Features

Tuesday, January 30, 2024

| Opera Now

Redefining industry norms with his work on- and off-stage, tenor Russell Thomas shares how he is channelling trauma into powerful art to inspire and heal

Following Scottish Opera on its Opera Highlights tour

Features

Tuesday, January 30, 2024

| Opera Now

We explore how Scottish Opera takes the joy of opera to remote Scottish communities

Bruckner's Symphony No 8, an introduction by Herbert Blomstedt

Features

Monday, February 19, 2024

| Gramophone

Herbert Blomstedt considers a work that’s nothing short of miraculous

Seiji Ozawa remembered

Features

Friday, February 9, 2024

| Gramophone

Seiji Ozawa (September 1, 1935 – February 9, 2024)

Recognising what lies behind an artist’s album

Blogs

Thursday, February 1, 2024

| Gramophone

Editor Martin Cullingford introduces the February 2024 issue of Gramophone, which features revealing interviews with Asmik Grigorian and Martin James Bartlett

Music as Transformation: Ingrid Fliter

Features

Friday, February 2, 2024

| International Piano

Ingrid Fliter talks about recordings that evoke special memories, with music that transports her to another dimension

Video of the Day: Ashley Wass performs Debussy's 'Clair de Lune'

Classical Music News

Friday, February 9, 2024

| Gramophone

In anticipation of the pianist's upcoming album 'Black & White'...

Antonio Caldara: Gloria; Respighi: Lauda per la Nativita del Signore (Mirko Guadagnini)

Review

Friday, February 23, 2024

| Choir and Organ

A lively instrumental introduction to this performance leads to disappointment when the choir enters

Krystian Zimerman interview: ‘I want to reach people who don’t yet know that they love this kind of music’

Features

Wednesday, February 28, 2024

| International Piano

In London to collect his seventh Gramophone Award, Krystian Zimerman gives a rare interview to Jessica Duchen, and talks about recording Szymanowski, the challenges of touring and the need for good diplomacy

Musica Viva: sounds of the city

Features

Friday, February 23, 2024

| Choir and Organ

With a commitment to new music and diverse composers, New York City choir Musica Viva is paving the way for daring collaborations

Meet the new Choir & Organ editorial team

News

Tuesday, February 27, 2024

| Choir and Organ

Meeting Choir & Organ's new Editor Hattie Butterworth, Organ and New Music Editor Matthew Power and Editorial Assistant Theo Elwell

Stephen McNeff: A Star Next to the Moon at the Guildhall School of Music and Drama | Live Review

Review

Thursday, February 29, 2024

| Opera Now

'Its conflicts and contrasts never quite allow the audience to get too comfortable, and the delivery on stage suitably portrayed an unnerving portrait'

N Boulanger: Fantaisie variée. Fauré: Après un rêve, etc. Hahn Piano Concerto (William Youn)

Review

Friday, March 8, 2024

| International Piano

I doubt if Youn’s more neutral performance will win new friends for music dismissed as difficult and obscure

Bob Chilcott: Christmas Oratorio (Benjamin Nicholas)

Review

Friday, February 23, 2024

| Choir and Organ

Sarah Connolly conveys Mary’s wonderment and even fear with grace and not a flutter of girlishness

Nikolai Lugansky: Mad for Wagner

Features

Friday, March 8, 2024

| International Piano

Having recorded an album of transcriptions from Wagner’s greatest operas, Nikolai Lugansky talks to Tim Parry about his relationship with music that gripped him as a teenager and won’t let go

Search Results

Introducing the January/February 2024 issue of Choir & Organ, featuring The Marian Consort

Choir & Organ Christmas offers

Mozart: the Gramophone Award-winning recordings

New Music At Christmas: A Playlist

Gramophone magazine: a history – the 1930s

Strauss: Elektra at the Royal Opera House | Live Review

Video of the Day: The Lamb

Introducing the January 2024 issue of Gramophone, Bruckner 200th anniversary special

Recordings of the Year 2023: free digital magazine

Critics Choice: Jan/Feb | The best new piano recordings

Russell Thomas interview: ‘I will always speak for the idea that we need to have diverse voices’

Following Scottish Opera on its Opera Highlights tour

Bruckner's Symphony No 8, an introduction by Herbert Blomstedt

Seiji Ozawa remembered

Recognising what lies behind an artist’s album

Music as Transformation: Ingrid Fliter

Video of the Day: Ashley Wass performs Debussy's 'Clair de Lune'

Antonio Caldara: Gloria; Respighi: Lauda per la Nativita del Signore (Mirko Guadagnini)

Krystian Zimerman interview: ‘I want to reach people who don’t yet know that they love this kind of music’

Musica Viva: sounds of the city

Meet the new Choir & Organ editorial team

Stephen McNeff: A Star Next to the Moon at the Guildhall School of Music and Drama | Live Review

N Boulanger: Fantaisie variée. Fauré: Après un rêve, etc. Hahn Piano Concerto (William Youn)

Bob Chilcott: Christmas Oratorio (Benjamin Nicholas)

Nikolai Lugansky: Mad for Wagner

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