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Jeremy Nicholas wishes Gramophone readers a musical, peaceful, joyful – but entirely wordless – Christmas, as he chooses his favourite non-vocal seasonal works

Claudio Abbado – a celebration

Classical Music News

Monday, January 16, 2017

| Gramophone

All this week on the Gramophone website, we offer our guide to Claudio Abbado

A Gramophone conversation with Julius Drake

Classical Music News

Friday, January 20, 2017

| Gramophone

Talking about song, the role of the pianist and curating a new season of Temple Music concerts.

Best new classical albums – February 2017

Features

Friday, January 27, 2017

| Gramophone

The finest recordings from this month's reviews, chosen by Martin Cullingford

Introducing Gramophone's February 2017 issue

Features

Friday, January 27, 2017

| Gramophone

Masterclass: Schubert's Schwanengesang

Features

Monday, January 30, 2017

| Gramophone

Graham Johnson and Thomas Quasthoff lift the lid on Schubert's final songs

The complete guide to Franz Schubert, part one: the symphonies

Features

Thursday, January 30, 2020

| Gramophone

In the first of a three-part series, Michael Quinn talks about Schubert's symphonies to conductors, Sir Colin Davis, Roger Norrington and Frans Briiggen and Schubert scholar Brian Newbould

The art of film music – with John Williams, Alexandre Desplat and Clint Mansell

Features

Wednesday, February 8, 2017

| Gramophone

The great film composers can connect a story with our emotions but to do that, says Charlotte Smith, they embrace the genre as a collaborative art form

Bringing the cinema home: our complete guide to the best home cinema systems

Features

Monday, February 20, 2017

| Gramophone

The latest developments have brought the home viewing experience even closer to going to the cinema, says Andrew Everard – in fact, watching in comfort can be even better

Debate: was Bernard Herrmann a great composer?

Features

Monday, February 20, 2017

| Gramophone

John Amis, Rumon Gamba and Adrian Edwards discuss the legacy of Hitchcock’s favourite musical collaborator

La valse du cinéma

Features

Monday, February 20, 2017

| Gramophone

Les Six, together with Saint-Saëns and Ravel, laid the musical foundations for French cinema, which remains unique to this day, writes Gary Dalkin

Video exclusive: Víkingur Ólafsson plays Philip Glass

Features

Wednesday, February 22, 2017

| Gramophone

Olafsson performs Glass's Etude No 14 from his DG debut album

Introducing Gramophone's March 2017 issue

Features

Friday, February 24, 2017

| Gramophone

Directing Handel, by Peter Sellars

Features

Tuesday, February 28, 2017

| Gramophone

'Handel possessed an outrageous sense of humour and a stunning sense of theatre...'

Historical female composers: a specialist's guide

Features

Wednesday, March 8, 2017

| Gramophone

Alexandra Coghlan urges us to talk less and listen more when it comes to considering historical female composers, and in her disc selection she avoids the giants, highlighting instead some lesser-known figures

Emily Dickinson: the poet who offers composers potentially limitless possibilities

Features

Tuesday, March 21, 2017

| Gramophone

Philip Clark celebrates the American poet who was a kindred spirit of the composers she has inspired

Now is the perfect time to discover the renaissance master Heinrich Isaac

Blogs

Thursday, March 23, 2017

| Gramophone

Search Results

Playlist: Exploring Max Reger

Best new classical albums – October 2016

Live stream: Guitar Masters 2016 competition

Top 10 instrumental Christmas works

Claudio Abbado – a celebration

A Gramophone conversation with Julius Drake

Best new classical albums – February 2017

Introducing Gramophone's February 2017 issue

Masterclass: Schubert's Schwanengesang

The complete guide to Franz Schubert, part one: the symphonies

The art of film music – with John Williams, Alexandre Desplat and Clint Mansell

Bringing the cinema home: our complete guide to the best home cinema systems

Debate: was Bernard Herrmann a great composer?

La valse du cinéma

Video exclusive: Víkingur Ólafsson plays Philip Glass

Introducing Gramophone's March 2017 issue

Directing Handel, by Peter Sellars

Historical female composers: a specialist's guide

Emily Dickinson: the poet who offers composers potentially limitless possibilities

Now is the perfect time to discover the renaissance master Heinrich Isaac

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