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Celebrating queerness: daring opera needs money

Thursday, July 11, 2024

| Opera Now

The second blog in our series collaborating with JAM on the Marsh festival's opera writing residency speaks to composers about the current climate for new opera in the UK

'The essence of storytelling is about more than training' Tom Guthrie on Lewisham Creative Chorus

Opinion

Monday, July 15, 2024

| Opera Now

Founder of Lewisham Creative Chorus brings forward the power of storytelling through opera, no matter your background

Ondine: a profile of the great Finnish record label

Features

Friday, July 12, 2024

| Gramophone

In this month’s introduction to a classical record label, Tim Parry explores the history of a highly respected Finnish label based in Helsinki

The Benedetti Foundation launches new Youth Ambassador Programme

News

Wednesday, July 3, 2024

| Gramophone

Aimed at 15-18 year-olds, the programme will offer an insight into what a career in music can look like

Video of the Day: Ringmasters performs Sondheim's 'Everybody Says Don't'

Features

Friday, July 19, 2024

| Choir and Organ

The Swedish ensemble perform as part of this year's 'LIVE from London' Summer festival

The 10 greatest Puccini singers

Features

Friday, August 9, 2024

| Gramophone

In the 100 years since he died, Puccini’s operas have inspired some of opera’s most iconic recordings. But who are his music’s greatest heroes and heroines? Mark Pullinger offers a guide

Exploring the new organ at Pershore Abbey

Features

Tuesday, August 20, 2024

| Choir and Organ

After nearly 30 years without a pipe organ, Pershore Abbey commissioned a new instrument from Fratelli Ruffatti of Padua. Chris Bragg assesses the results

Classics Reconsidered: Ravel's Shéhérazade (Janet Baker and John Barbirolli)

Features

Friday, September 6, 2024

| Gramophone

Tim Ashley and Mark Pullinger return to Janet Baker’s 1967 recording with Sir John Barbirolli of Ravel’s song-cycle Shéhérazade

George Li: an invitation to dance

Features

Friday, August 30, 2024

| International Piano

George Li introduces his new album of dance‑related works by Ravel, Schumann and Stravinsky and explores what binds these pieces into a cohesive programme

Dorset Opera Festival round up | Live Review

Review

Wednesday, August 28, 2024

| Opera Now

50 years of the company brings a new commission by Paul Carr and production of Madama Butterfly

Ilona Eibenschütz: piano-playing from another era

Features

Friday, August 30, 2024

| International Piano

Mark Ainley revisits the playing of the Hungarian pianist Ilona Eibenschütz, who knew Brahms and Clara Schumann, and whose pianism sheds fascinating light on the kind of playing they might have expected to hear

The Gramophone Guide to … Saving and storing your music library

Features

Friday, September 6, 2024

| Gramophone

However devoted you are to your CDs, it’s simple to have them all at your fingertips, and have them integrated with streaming services, too

RSCM launches young composers competition

News

Wednesday, August 28, 2024

| Choir and Organ

The education organisation launches a competition for emerging composers under 25

To Sing of Love

Review

Tuesday, August 20, 2024

| Choir and Organ

JS Bach’s ‘Ich habe genug’: a guide to the best recordings

Features

Monday, November 6, 2023

| Gramophone

The meditative Cantata No 82, among the most emotive of Bach’s 200 or so such works, has inspired a range of highly effective recordings over the past three-quarters of a century

Contemporary Composer: Anna Clyne

Features

Friday, March 5, 2021

| Gramophone

Richard Whitehouse has no doubt that things will only get better for this already popular and much-recorded composer

The Chopin Piano Competition: October 16

Blogs

Sunday, October 17, 2021

| Gramophone

Reflections on the last semi-final stages: catch up with our daily analysis

The Chopin Piano Competition, day eight: ‘What's in a name?’

Blogs

Tuesday, October 12, 2021

| Gramophone

Verdi: Don Carlos at Royal Danish Opera | Live Review

Review

Monday, September 9, 2024

| Opera Now

The premiere of Davide Livermore's new production of Verdi's epic at the Royal Danish Opera had mixed results, though showcased some tender performances from its cast

SERIOUS and Black Lives in Music introduce Equaliser Mentorship Programme

Classical Music News

Thursday, October 3, 2024

| Gramophone

An opportunity for aspiring live sound professionals from global majority backgrounds

Search Results

Celebrating queerness: daring opera needs money

'The essence of storytelling is about more than training' Tom Guthrie on Lewisham Creative Chorus

Ondine: a profile of the great Finnish record label

The Benedetti Foundation launches new Youth Ambassador Programme

Video of the Day: Ringmasters performs Sondheim's 'Everybody Says Don't'

The 10 greatest Puccini singers

Exploring the new organ at Pershore Abbey

Classics Reconsidered: Ravel's Shéhérazade (Janet Baker and John Barbirolli)

George Li: an invitation to dance

Dorset Opera Festival round up | Live Review

Ilona Eibenschütz: piano-playing from another era

The Gramophone Guide to … Saving and storing your music library

RSCM launches young composers competition

To Sing of Love

JS Bach’s ‘Ich habe genug’: a guide to the best recordings

Contemporary Composer: Anna Clyne

The Chopin Piano Competition: October 16

The Chopin Piano Competition, day eight: ‘What's in a name?’

Verdi: Don Carlos at Royal Danish Opera | Live Review

SERIOUS and Black Lives in Music introduce Equaliser Mentorship Programme

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