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Following the Leeds International Piano Competition’s introduction of steps to remove unconscious bias from its selection process, Charlotte Gardner reflects on some of the issues

Grieg: Piano Concerto, Op 16. Schumann: Piano Concerto, Op 54 (Elisabeth Leonskaja)

Review

Friday, March 8, 2024

| International Piano

Leonskaja seems to hold the Grieg Concerto – which, despite many similarities to the Schumann, postdates it by 23 years – at something of an arm’s length

MU rejects using recorded music in place of live orchestra at Northern Ballet

News

Wednesday, February 21, 2024

| Gramophone

The Northern Ballet's decision to use recorded music has faced backlash

Video of the Day: 'You have come out as if against a thief...' – Victoria's Tenebrae Responsories

News

Friday, March 1, 2024

| Gramophone

In this exclusive video, I Fagiolini perform the intimate motet in the surrounds of Milton Abbey

Liszt: Piano works, arranged for Organ (Diederik Blankesteijn)

Review

Wednesday, February 21, 2024

| Choir and Organ

The music translates extremely well to the sonorous Bätz organ in the generous acoustic of Utrecht’s Domkirk

Daniel Knaggs: Two Streams

Review

Friday, February 23, 2024

| Choir and Organ

Knaggs embraces many historical influences, powerfully and unapologetically evident in an instantly relatable work

Smetana’s Má vlast, an introduction by Semyon Bychkov

Features

Monday, March 4, 2024

| Gramophone

Semyon Bychkov tells Michael McManus about the extrordinary power of Smetana’s masterpiece Má vlast, which he has recorded with the Czech Philharmonic for Pentatone

Bringing a new opera of Hardy’s Under the Greenwood Tree to life in Dorset

Features

Thursday, April 4, 2024

| Opera Now

A new opera of Hardy’s Under the Greenwood Tree premieres at Dorset Opera this summer. We meet Paul Carr, the production’s composer and director, to discover the journey of the work’s creation

Mascarade Opera’s Festivalino: A Role in Opera’s Future

Features

Monday, March 18, 2024

| Gramophone

For singers and guests, Europe’s most innovative opera studio – Fondazione Mascarade Opera – offers unforgettable experiences in the cradle of the Renaissance

Composer and pianist Aribert Reimann has died, aged 88

Classical Music News

Friday, March 15, 2024

| Gramophone

Aribert Reimann's more than 70 works include the opera Lear

Search Results

Podcast: Errollyn Wallen on her new book 'Becoming A Composer'

Exploring Ravel’s extraordinary Gaspard de la nuit with Behzod Abduraimov

'Rather than categorising myself, I try to be true to what the piece requires' | Marcus Rock interview

Puccini: Turandot at Vienna State Opera | Live Review

Video of the Day: The Sixteen performs Sullivan's The Long Day Closes

Edmund Finnis and Clare Hammond on recording Youth

Alessandro Fisher on 'A Gardener's World'

The Verbier Festival appoints a Co-CEO

Bruckner's Symphony No 9, an introduction by Andris Nelsons

Bruckner’s Symphonies 0 & 00, an introduction by Marcus Bosch

Is the piano world inherently sexist?

Grieg: Piano Concerto, Op 16. Schumann: Piano Concerto, Op 54 (Elisabeth Leonskaja)

MU rejects using recorded music in place of live orchestra at Northern Ballet

Video of the Day: 'You have come out as if against a thief...' – Victoria's Tenebrae Responsories

Liszt: Piano works, arranged for Organ (Diederik Blankesteijn)

Daniel Knaggs: Two Streams

Smetana’s Má vlast, an introduction by Semyon Bychkov

Bringing a new opera of Hardy’s Under the Greenwood Tree to life in Dorset

Mascarade Opera’s Festivalino: A Role in Opera’s Future

Composer and pianist Aribert Reimann has died, aged 88

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