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Jean Guillou: Franz Liszt Organ Works Vol 1 – Symphonic Poems
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Review
- Tuesday, August 20, 2024 | Choir and Organ
Exploring the new organ at Pershore Abbey
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Features
- Tuesday, August 20, 2024 | Choir and Organ
After nearly 30 years without a pipe organ, Pershore Abbey commissioned a new instrument from Fratelli Ruffatti of Padua. Chris Bragg assesses the results
David Hill in conversation with ... Tori Longdon
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Features
- Monday, August 19, 2024 | Choir and Organ
David Hill meets Tori Longdon, conductor and associate chorus director of the London Philharmonic Choir
Bavarian Radio Symphony Orchestra | Gramophone's Orchestra of the Year 2024 Nominee
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Features
- Monday, August 19, 2024 | Gramophone
Why the Bavarian Radio Symphony Orchestra deserves your vote for the 2024 Orchestra of the Year Award
Podcast: Alexandra Dariescu on the piano concertos of Clara Schumann and Edvard Grieg
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Podcasts
- Friday, August 16, 2024 | Gramophone
The pianist Alexandra Dariescu speaks to Editor Martin Cullingford about her new album for Signum
Exclusive video interview: Klaus Mäkelä on Shostakovich's symphonies
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Features
- Wednesday, August 14, 2024 | Gramophone
The Finnish Chief Conductor of the Oslo Philharmonic Klaus Mäkelä introduces his new Decca recording of three Shostakovich symphonies
Vivek Haria - The Imperishable
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Music Series
- Tuesday, August 13, 2024 | Choir and Organ
Using a translated Sanskrit text and influenced by the Hindustani tradition, Vivek Haria’s new choral piece evokes a sense of transcendence, writes Matthew Power
Sinfonia of London | Gramophone's Orchestra of the Year 2024 Nominee
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Features
- Monday, August 12, 2024 | Gramophone
Why the Sinfonia of London deserves your vote for the 2024 Orchestra of the Year Award
Reflecting recording’s past, present and future
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Blogs
- Monday, August 12, 2024 | Gramophone
Editor Martin Cullingford introduces the September issue of Gramophone
Apple’s classical ambitions: how BIS and Platoon are looking to the future of classical music
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Features
- Friday, August 9, 2024 | Gramophone
In this month’s column, James Jolly finds out about Apple’s obvious commitment to classical music and, especially, about one of its two labels, the London-based Platoon
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