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It may be more expensive than the original X3, but sensible revisions to both the digital and analogue sections have made this integrated amplifier a real high-end bargain

Box-set Round-up: August 2024

Review

Friday, July 12, 2024

| Gramophone

Rob Cowan revisits collections devoted to Mozart, Dukas, the Couperins and more

Meeting Joana Mallwitz: ‘It’s funny: people don’t know what they’re missing if they’ve not heard Kurt Weill’s symphonies’

Features

Friday, July 12, 2024

| Gramophone

As her recording of Kurt Weill symphonies, her first album for DG, is about to be released, conductor Joana Mallwitz speaks with Richard Bratby

Dame Mary Beard | My Music: ‘Ancient music is elusive to historians’

Features

Friday, July 12, 2024

| Gramophone

The nation’s best-known classicist rediscovered classical music in her thirties, when exploring re‑workings of ancient myth

Thea King: a guide to the doyenne of English clarinettists

Features

Friday, July 12, 2024

| Gramophone

Starting out as a pianist, Thea King eventually became a renowned clarinettist – a devoted champion of the instrument –who left a rich legacy on record, writes Mark Pullinger

Leonard Slatkin interview: ‘I’m leaving it to the younger generation to figure out what’s important’

Features

Friday, July 12, 2024

| Gramophone

He’s turning 80 with at least 220 premieres to look back on, but Leonard Slatkin has a good deal more on his agenda than simply reminiscing about past achievements, finds Thomas May

How the LPO is programming its seasons for a modern audience

Features

Friday, July 12, 2024

| Gramophone

The Artistic Director of the London Philharmonic, Elena Dubinets talks to James Jolly about her plans for the future, and how working with UK and US ensembles differ

Robert Saxton: Contemporary Composer

Features

Friday, July 12, 2024

| Gramophone

Richard Whitehouse explores the vast and varied output of a versatile, inventive and ultimately fearless British composer

The Gramophone Guide to … Compact Hi-Fi

Review

Friday, July 12, 2024

| Gramophone

The latest amplifier technology is making possible truly tiny hi-fi components without compromising audio quality. Andrew Everard is thinking small

Dalia's Mixtape: Judith Weir's 'Still, Glowing'

Podcasts

Friday, July 12, 2024

| Gramophone

Dalia Stasevska, Judith Weir and Andrew Mellor discuss the latest orchestral work to take its place in 'Dalia's Mixtape'

Editor's Choice: August 2024 | The best new classical recordings

Features

Friday, July 12, 2024

| Gramophone

This month we feature outstanding new recordings from Konstantin Krimmel, Rebeca Omordia, Paavo Järvi and Gustavo Dudamel

Book review - Recording British Music, by Lewis Foreman

Review

Friday, July 12, 2024

| Gramophone

This book deserves to be snapped up by any lover of British music – and its renaissance that Foreman himself has done so much to energise

Introducing the August 2024 issue of Gramophone: featuring Joana Mallwitz

Classical Music News

Friday, July 12, 2024

| Gramophone

Joana Mallwitz: the conductor on recording Kurt Weill symphonies in Berlin | Charles Ives: the composer who captured America’s spirit

Classics Reconsidered: Handel’s Messiah (English Chamber Orchestra / Charles Mackerras)

Features

Friday, July 12, 2024

| Gramophone

Richard Wigmore and Lindsay Kemp assess how Charles Mackerras’s 1966 recording of Messiah stands up more than half a century later

Ondine: a profile of the great Finnish record label

Features

Friday, July 12, 2024

| Gramophone

In this month’s introduction to a classical record label, Tim Parry explores the history of a highly respected Finnish label based in Helsinki

Book review - Wagner in Context, Edited by David Trippett

Review

Friday, July 12, 2024

| Gramophone

A rewarding read and an ambitious, serious and open-minded addition to the Wagner literature

Charles Ives at 150: The Sound of America

Features

Friday, July 12, 2024

| Gramophone

Charles Ives evoked his country like few others, and to mark 150 years since his birth, Andrew Farach-Colton delves into the life and music of this most unconventional figure

Review - ‘The Complete Victor Recordings and Selected Broadcasts Lawrence Tibbett’

Review

Friday, July 12, 2024

| Gramophone

America’s greatest pre-war baritone commemorated by Marston

Review - ‘The Berlin Years’ (Berlin Philharmonic / Simon Rattle)

Review

Friday, July 12, 2024

| Gramophone

‘This is one of the most useful box-set editions currently available’

Search Results

BBC Singers announces new director

Excellence and relevance in opera are not mutually exclusive | Andrew Mellor opinion

Exploring excellence across generations of classical musicians

Purcell's Dido and Aeneas at Somerset Opera | Live Review

'The essence of storytelling is about more than training' Tom Guthrie on Lewisham Creative Chorus

Bruckner’s Symphony No 7: inside the score, with Manfred Honeck

Review - Michi X3 S2

Box-set Round-up: August 2024

Meeting Joana Mallwitz: ‘It’s funny: people don’t know what they’re missing if they’ve not heard Kurt Weill’s symphonies’

Dame Mary Beard | My Music: ‘Ancient music is elusive to historians’

Thea King: a guide to the doyenne of English clarinettists

Leonard Slatkin interview: ‘I’m leaving it to the younger generation to figure out what’s important’

How the LPO is programming its seasons for a modern audience

Robert Saxton: Contemporary Composer

The Gramophone Guide to … Compact Hi-Fi

Dalia's Mixtape: Judith Weir's 'Still, Glowing'

Editor's Choice: August 2024 | The best new classical recordings

Book review - Recording British Music, by Lewis Foreman

Introducing the August 2024 issue of Gramophone: featuring Joana Mallwitz

Classics Reconsidered: Handel’s Messiah (English Chamber Orchestra / Charles Mackerras)

Ondine: a profile of the great Finnish record label

Book review - Wagner in Context, Edited by David Trippett

Charles Ives at 150: The Sound of America

Review - ‘The Complete Victor Recordings and Selected Broadcasts Lawrence Tibbett’

Review - ‘The Berlin Years’ (Berlin Philharmonic / Simon Rattle)

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