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Exploring the new organ at Pershore Abbey

Tuesday, August 20, 2024

| Choir and Organ

After nearly 30 years without a pipe organ, Pershore Abbey commissioned a new instrument from Fratelli Ruffatti of Padua. Chris Bragg assesses the results

To Sing of Love

Review

Tuesday, August 20, 2024

| Choir and Organ

Magnificat 4

Review

Tuesday, August 20, 2024

| Choir and Organ

David Hill in conversation with ... Tori Longdon

Features

Monday, August 19, 2024

| Choir and Organ

David Hill meets Tori Longdon, conductor and associate chorus director of the London Philharmonic Choir

Bavarian Radio Symphony Orchestra | Gramophone's Orchestra of the Year 2024 Nominee

Features

Monday, August 19, 2024

| Gramophone

Why the Bavarian Radio Symphony Orchestra deserves your vote for the 2024 Orchestra of the Year Award

Podcast: Alexandra Dariescu on the piano concertos of Clara Schumann and Edvard Grieg

Podcasts

Friday, August 16, 2024

| Gramophone

The pianist Alexandra Dariescu speaks to Editor Martin Cullingford about her new album for Signum

Exclusive video interview: Klaus Mäkelä on Shostakovich's symphonies

Features

Wednesday, August 14, 2024

| Gramophone

The Finnish Chief Conductor of the Oslo Philharmonic Klaus Mäkelä introduces his new Decca recording of three Shostakovich symphonies

Vivek Haria - The Imperishable

Music Series

Tuesday, August 13, 2024

| Choir and Organ

Using a translated Sanskrit text and influenced by the Hindustani tradition, Vivek Haria’s new choral piece evokes a sense of transcendence, writes Matthew Power

Sinfonia of London | Gramophone's Orchestra of the Year 2024 Nominee

Features

Monday, August 12, 2024

| Gramophone

Why the Sinfonia of London deserves your vote for the 2024 Orchestra of the Year Award

Reflecting recording’s past, present and future

Blogs

Monday, August 12, 2024

| Gramophone

Editor Martin Cullingford introduces the September issue of Gramophone

Apple’s classical ambitions: how BIS and Platoon are looking to the future of classical music

Features

Friday, August 9, 2024

| Gramophone

In this month’s column, James Jolly finds out about Apple’s obvious commitment to classical music and, especially, about one of its two labels, the London-based Platoon

Contemporary composer: Oliver Leith

Features

Friday, August 9, 2024

| Gramophone

Hattie Butterworth explores this young British composer’s unique influences and how collaborations are crucial to his work

Review - The Cambridge Companion to The Magic Flute, Edited by Jessica Waldoff

Review

Friday, August 9, 2024

| Gramophone

A fascinating, occasionally provocative and (mostly) accessible companion for anyone seeking Singspiel enlightenment

Streaming music just got simpler – or did it?

Features

Friday, August 9, 2024

| Gramophone

Choosing the right streaming service is still a minefield, but does Tidal’s latest move make things any clearer?

Leonard Bernstein the Composer – with Edward Seckerson

Podcasts

Friday, August 9, 2024

| Gramophone

Gramophone contributor and long-time admirer of the musician, Edward Seckerson discusses Bernstein’s wide-ranging compositional output

Search Results

Exploring the new organ at Pershore Abbey

To Sing of Love

Magnificat 4

David Hill in conversation with ... Tori Longdon

Bavarian Radio Symphony Orchestra | Gramophone's Orchestra of the Year 2024 Nominee

Podcast: Alexandra Dariescu on the piano concertos of Clara Schumann and Edvard Grieg

Exclusive video interview: Klaus Mäkelä on Shostakovich's symphonies

Vivek Haria - The Imperishable

Sinfonia of London | Gramophone's Orchestra of the Year 2024 Nominee

Reflecting recording’s past, present and future

Apple’s classical ambitions: how BIS and Platoon are looking to the future of classical music

Contemporary composer: Oliver Leith

Review - The Cambridge Companion to The Magic Flute, Edited by Jessica Waldoff

Streaming music just got simpler – or did it?

Leonard Bernstein the Composer – with Edward Seckerson

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