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Iestyn Davies: how the countertenor is rising to every musical challenge, from Monteverdi to Adès

Tuesday, July 4, 2023

| Opera Now

Iestyn Davies continues to forge paths in the opera world, taking risks, connecting with audiences and collaborating with new voices

Orchestre de Paris | Gramophone's Orchestra of the Year 2023 Nominee

Classical Music News

Tuesday, July 4, 2023

| Gramophone

Why the Orchestre de Paris deserves your vote for the 2023 Orchestra of the Year Award

Which all-in-one audio system is right for you?

Features

Tuesday, July 4, 2023

| Gramophone

The days of the old radiograms and music centres may be past, but there’s no shortage of ideas for compact, high-performance hi-fi – it can save space and is easy to use, too

Garrick Ohlsson: five classical recordings that changed my life

Features

Monday, July 3, 2023

| International Piano

From Furtwängler's Brahms to Callas's intensity and Björling's astonishing voice, musical moments that most inspired Garrick Ohlsson

Gavin Higgins wins 2023 Sky Arts Award for Classical Music

News

Monday, July 3, 2023

| Gramophone

Gavin Higgins, The Tredegar Band and the BBC National Orchestra of Wales receive their second achievement for the work

Verdi: Don Carlo at Royal Opera House | Live Review

Review

Monday, July 3, 2023

| Opera Now

High levels of excitement in Nicholas Hytner’s production of Don Carlo

The enduring legacy of Arturo Toscanini: ‘a life force from a vanished age whose work refuses to date’

Features

Monday, July 3, 2023

| Gramophone

‘Toscanini was a classicist at heart, with a classicist’s love of light, logic, orderliness and physical beauty’

Bushra El Turk: Woman at Point Zero at ROH Linbury Theatre | Live Review

Review

Monday, July 3, 2023

| Opera Now

Emotional and beguiling: committed performances illuminated Bushra El-Turk's opera on female suffering

Alvin Lucier: Swing Bridge & Sizzles

Review

Saturday, July 1, 2023

| Choir and Organ

I imagine the experience is considerably more effective heard and seen live in concert

Gramophone Classical Music Awards 2023: our sponsors and partners

Features

Saturday, July 1, 2023

| Gramophone

Video of the Day: the deeply beautiful sound of the contrabass flute

Classical Music News

Friday, June 30, 2023

| Gramophone

If you've never heard a contrabass flute before then you are in for a treat. Daniela Mars conjures a haunting evocation of the first moments of morning light

Gramophone's Orchestra of the Year 2023 - the nominees, Part 1

Podcasts

Friday, June 30, 2023

| Gramophone

James Jolly and Andrew Mellor discuss five of the 10 orchestras nominated for this year's Award

Saskia Giorgini interview: ‘I strongly reject the idea that Liszt is loud and redundant and not honest’

Features

Thursday, June 29, 2023

| International Piano

Saskia Giorgini talks about exploring the poetic side of Liszt’s multifaceted musical personality

After Biber’s Rosary (Mystery) Sonatas – What Next?

Features

Thursday, June 29, 2023

| Gramophone

In our guide to further listening, Mark Seow starts with Biber’s Rosary (Mystery) Sonatas – and the ensuing musical journey takes some weird and wonderful turns

Strauss: Die Frau ohne Schatten at San Francisco Opera | Live Review

Review

Thursday, June 29, 2023

| Opera Now

Depth and dimension run in tandem with the magic of David Hockney's iconic scenery

Eric Whitacre: Home

Review

Wednesday, June 28, 2023

| Choir and Organ

This intense, beautifully crafted and very personal piece speaks eloquently to young adults of today

Ivo Antognini: Come to me in the silence of the night & other choral works

Review

Wednesday, June 28, 2023

| Choir and Organ

Stephen Layton has the singers exactly on point in material like Lux aeterna and the quietly devastating Those tender words

Leighton: Every Living Creature (choral works including Laudes Animantium, Three Carols and Nativitie)

Review

Wednesday, June 28, 2023

| Choir and Organ

Londinium possess a thoroughly satisfying, vibrant sound and remain undaunted by the challenges of Leighton's highly individual harmonies

Orchestral Anthems (Elgar, Finzi, Dyson, Howells)

Review

Wednesday, June 28, 2023

| Choir and Organ

The 42 undergraduate and postgraduate members of Merton College Choir and 18 girl choristers rise with aplomb to the challenge of matching the superb Britten Sinfonia

Love & Light

Review

Wednesday, June 28, 2023

| Choir and Organ

The repertoire is contemplative in mood, with medieval chants and liturgical texts a constant theme, beautifully expressed by their ethereal, beautifully blended voices

Bjørn Morten Christophersen: The Lapse Of Time

Review

Wednesday, June 28, 2023

| Choir and Organ

So original and convincing that any concern about rock-opera cliché quickly disappears

Caroline Leighton: Could the sky forget rain?

Review

Wednesday, June 28, 2023

| Choir and Organ

The version for high voice and piano is very well placed for young developing voices

Ein deutsches Barockrequiem

Review

Wednesday, June 28, 2023

| Choir and Organ

These performances bring the music to vivid and devout life

Solemn Notes of Sweetest Sound – Sacred music for upper voices and organ from the Charity Institutions for girls and boys in Georgian London

Review

Wednesday, June 28, 2023

| Choir and Organ

Solemn Notes of Sweetest Sound is a fascinating collection of ten works by men and women composers drawn from publications originally issued by the charity institutions of London throughout the period 1729-1804

On a Clear Day (Chanticleer)

Review

Wednesday, June 28, 2023

| Choir and Organ

The entire programme is delivered with the skilful aplomb one expects from these voices

Search Results

Iestyn Davies: how the countertenor is rising to every musical challenge, from Monteverdi to Adès

Orchestre de Paris | Gramophone's Orchestra of the Year 2023 Nominee

Which all-in-one audio system is right for you?

Garrick Ohlsson: five classical recordings that changed my life

Gavin Higgins wins 2023 Sky Arts Award for Classical Music

Verdi: Don Carlo at Royal Opera House | Live Review

The enduring legacy of Arturo Toscanini: ‘a life force from a vanished age whose work refuses to date’

Bushra El Turk: Woman at Point Zero at ROH Linbury Theatre | Live Review

Alvin Lucier: Swing Bridge & Sizzles

Gramophone Classical Music Awards 2023: our sponsors and partners

Video of the Day: the deeply beautiful sound of the contrabass flute

Gramophone's Orchestra of the Year 2023 - the nominees, Part 1

Saskia Giorgini interview: ‘I strongly reject the idea that Liszt is loud and redundant and not honest’

After Biber’s Rosary (Mystery) Sonatas – What Next?

Strauss: Die Frau ohne Schatten at San Francisco Opera | Live Review

Eric Whitacre: Home

Ivo Antognini: Come to me in the silence of the night & other choral works

Leighton: Every Living Creature (choral works including Laudes Animantium, Three Carols and Nativitie)

Orchestral Anthems (Elgar, Finzi, Dyson, Howells)

Love & Light

Bjørn Morten Christophersen: The Lapse Of Time

Caroline Leighton: Could the sky forget rain?

Ein deutsches Barockrequiem

Solemn Notes of Sweetest Sound – Sacred music for upper voices and organ from the Charity Institutions for girls and boys in Georgian London

On a Clear Day (Chanticleer)

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