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Bizet: Carmen at the Metropolitan Opera | Live Review

Review

Monday, January 22, 2024

| Opera Now

Though hard to fault musically, Carrie Cracknell's new Carmen brings a big mix-up in its theatre

Gramophone magazine: a history – the 1990s

Features

Monday, January 22, 2024

| Gramophone

Historically informed performance practice launched a new era in recorded repertoire, and the 1997 Gramophone Awards ceremony reached an audience of 2.5 million viewers on ITV

Offenbach: Les Contes d'Hoffmann at Opéra Royal de Wallonie-Liège | Live Review

Review

Monday, January 22, 2024

| Opera Now

Stefano Poda's interpretation of Offenbach's final work revealed a brilliantly controlled operatic atmosphere

Igor Levit receives the Wigmore Hall Medal

Classical Music News

Monday, January 22, 2024

| Gramophone

Igor Levit becomes the youngest recipient of the prestigious Wigmore Hall Medal

Ivan Moody, composer, musicologist and Gramophone writer, has died

Classical Music News

Friday, January 19, 2024

| Gramophone

Born June 11, 1964; died January 18, 2024

Video of the Day: Chopin in an empty Concertgebouw

Classical Music News

Friday, January 19, 2024

| Gramophone

Nicolas van Poucke performs the Nocturne in B major in the stark beauty of the iconic venue

Krystian Zimerman on Szymanowski, conducting and retirement

Podcasts

Friday, January 19, 2024

| Gramophone

The great Polish pianist discusses the music of his celebrated fellow countryman

Gramophone magazine: a history – the 1980s

Features

Thursday, January 18, 2024

| Gramophone

The arrival of the CD gave the classical record industry a much-needed boost

Introducing the Spring 2024 issue of Opera Now

News

Thursday, January 18, 2024

| Opera Now

Russell Thomas: the American tenor as a leader for change | Yaritza Véliz: the Chilean soprano’s path to Mimì at Covent Garden | Opera on the road: joining Scottish Opera for an idyllic tour

Strike confirmed at English National Opera

News

Thursday, January 18, 2024

| Opera Now

MU members will strike during the company's production of The Handmaid's Tale on 1 February

Gramophone magazine: a history – the 1970s

Features

Wednesday, January 17, 2024

| Gramophone

Digital recording arrives, and a trailblazing independent label starts up in Sweden

Gramophone magazine: a history – the 1960s

Features

Tuesday, January 16, 2024

| Gramophone

A decade of colossal productivity and ambition as recorded music takes off

'Week-in-week-out, I see examples of the ensemble system working brilliantly and failing miserably' | Opinion

Opinion

Tuesday, January 16, 2024

| Opera Now

How do you solve a problem like ensemble system?

Janáček: Jenůfa with the London Symphony Orchestra | Live Review

Review

Tuesday, January 16, 2024

| Opera Now

Sir Simon Rattle leads an esteemed cast of singers in a concert version of Janáček's three-act opera

Jonathan Freeman-Attwood on 'Handel for Trumpet'

Podcasts

Friday, January 12, 2024

| Gramophone

The multi-talented Principal of the Royal Academy of Music talks about his series of trumpet recordings for Linn

Judith Weir opera to open 2024 Aldeburgh Festival

News

Thursday, January 11, 2024

| Opera Now

Celebrating her 70th birthday in 2024, Dame Judith Weir's opera Blond Eckbert marks the start of the Suffolk new music festival

Gramophone magazine: a history – the 1940s

Features

Thursday, January 11, 2024

| Gramophone

Reading the correspondence pages from the early 1940s is to be genuinely moved by not only the absolutely essential nature of music in the lives of so many soldiers, sailors and airmen, but how The Gramophone had created its own tight-knit community

Gramophone magazine: a history – the 1950s

Features

Thursday, January 11, 2024

| Gramophone

One of the most revolutionary decades in the history of recorded music

Emily Gottlieb announced as Longborough Executive Director

News

Thursday, January 11, 2024

| Opera Now

Current CEO of the National Opera Studio, Gottlieb will assume the position in April 2024

Javier Perianes on Granados's Goyescas: ‘He wrote nothing else on this brutal level of technical complexity’

Features

Tuesday, January 9, 2024

| International Piano

Javier Perianes has recorded one of the pinnacles of Spanish piano music, Granados’s Goyescas. He talks to Jessica Duchen about playing this evocative and demanding music and following in the footsteps of Alicia de Larrocha

Search Results

Bizet: Carmen at the Metropolitan Opera | Live Review

Gramophone magazine: a history – the 1990s

Offenbach: Les Contes d'Hoffmann at Opéra Royal de Wallonie-Liège | Live Review

Igor Levit receives the Wigmore Hall Medal

Ivan Moody, composer, musicologist and Gramophone writer, has died

Video of the Day: Chopin in an empty Concertgebouw

Krystian Zimerman on Szymanowski, conducting and retirement

Gramophone magazine: a history – the 1980s

Introducing the Spring 2024 issue of Opera Now

Strike confirmed at English National Opera

Gramophone magazine: a history – the 1970s

Gramophone magazine: a history – the 1960s

'Week-in-week-out, I see examples of the ensemble system working brilliantly and failing miserably' | Opinion

Janáček: Jenůfa with the London Symphony Orchestra | Live Review

Jonathan Freeman-Attwood on 'Handel for Trumpet'

Judith Weir opera to open 2024 Aldeburgh Festival

Gramophone magazine: a history – the 1940s

Gramophone magazine: a history – the 1950s

Emily Gottlieb announced as Longborough Executive Director

Javier Perianes on Granados's Goyescas: ‘He wrote nothing else on this brutal level of technical complexity’

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