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Review - Mozart ‘The Sonata Project: Salzburg’ (Yundi)

Friday, May 24, 2024

| International Piano

‘His approach is a convincing challenge to a more conventional restraint, a restless Sturm und Drang precursor of Romanticism’

Review - Ravel: ‘The Complete Works For Solo Piano, Vol 1’ (Vincent Larderet)

Review

Friday, May 24, 2024

| International Piano

‘The most satisfying interpretations are of the Valses nobles et sentimentales and the Pavane, which reveal fine attention to detail, pacing and balances’

Review - Liszt: Piano Sonata in B minor, etc (Nelson Goerner)

Review

Friday, May 24, 2024

| International Piano

‘All in all, a distinguished release, supported by first‑class engineering’

Can Çakmur on Schubert and Krenek

Podcasts

Friday, May 24, 2024

| Gramophone

The pianist on his latest album pairing Schubert with composers inspired by him

Liszt’s Venezia e Napoli: a guide to the greatest recordings

Features

Friday, May 24, 2024

| International Piano

Ateş Orga introduces one of Liszt’s most picturesque works, the three-part appendix to the second volume of Années de pèlerinage that documents the composer’s travels through Italy, and surveys its glittering history on record

Review - Chopin: Études, Opp 10 & 25 (Yunchan Lim)

Review

Friday, May 24, 2024

| International Piano

‘These works hold no difficulties for Lim, whose supple and effortless technique shines through each and every étude’

Review - ‘Debussy and Ravel for Two’ (Alessio Bax, Lucille Chung)

Review

Friday, May 24, 2024

| International Piano

‘Cohesive sweep, delicacy of execution and, when required, sheer power place this among the finest readings of Debussy’s 1915 masterpiece’

Review - Liszt ‘Complete Piano Music, Vol 61, Transcriptions from Operas’ (Martin Cousin)

Review

Friday, May 24, 2024

| International Piano

‘Cousin makes a fair case for the 1836 first version of the Réminiscences des Huguenots’

Review - Fauré: Complete Piano Music (Lucas Debargue)

Review

Friday, May 24, 2024

| International Piano

‘While you’d never call these readings fragile, you’d never call them seasoned either’

Review - Sorabji: Opus clavicembalisticum (Daan Vandewalle)

Review

Friday, May 24, 2024

| International Piano

‘The elaborate episodes benefit from Vandewalle’s astute linear awareness and flexibility in moments of transition’

Cimarosa: L'Olimpiade with Les Talens Lyriques at the Royal Opera of Versailles

Review

Friday, May 24, 2024

| Opera Now

A concert setting of Cimarosa's opera at the Château de Versailles showed singing of great determination and focus

Review - Schumann: Arabeske, Davidsbündlertänze, Faschingsschwank aus Wien (Sergey Tanin)

Review

Friday, May 24, 2024

| International Piano

‘Tanin’s performances throughout are sensitive, honest, idiomatic and devoid of distracting eccentricities’

Polarising pianist: Alexis Weissenberg

Features

Friday, May 24, 2024

| International Piano

In his latest discussion of a pianist notorious for invoking opposing points of view, Bryce Morrison explores the varied legacy of Alexis Weissenberg, an artist renowned for his uncompromising interpretations

Grigory Ginzburg: a refined virtuoso

Features

Friday, May 24, 2024

| International Piano

In his latest exploration of the life and playing of great Russian pianists of the 20th century, Farhan Malik investigates the astounding pianism of Grigory Ginzburg and celebrates a lasting legacy

Ermonela Jaho and Carlo Rizzi at the Wigmore Hall | Live Review

Review

Friday, May 24, 2024

| Opera Now

Opera Rara continues its Donizetti Song Project with the renowned soprano in full-force

Review - Reger: Lieder von Johannes Brahms (Rudolf Buchbinder)

Review

Friday, May 24, 2024

| International Piano

‘Buchbinder’s playing is thoughtful and intelligent, and it is certainly interesting to hear these Reger arrangements’

Why do some musicians move us while others do not?

Features

Friday, May 24, 2024

| International Piano

Charivari compares and contrasts two pianistic greats who are sadly no longer with us, and wonders why he is moved by some performers and not by others

Review - Bronsart and Henselt Piano Concertos (Paul Wee)

Review

Friday, May 24, 2024

| International Piano

‘Wee is the man for the moment, no obstacle insurmountable’

Sorabji’s Opus clavicembalisticum: exploring a musical cosmos

Features

Friday, May 24, 2024

| International Piano

Having recorded Sorabji’s infamous Opus clavicembalisticum, composed in 1930, Daan Vandewalle outlines his own experience of this work and its distinctive aesthetic

Review - Lutyens: ‘Piano Works, Vol 3’ (Martin Jones)

Review

Friday, May 24, 2024

| International Piano

‘I am in thrall to Jones’s peerless playing of them, and Resonus’s superb sound’

International Piano: introducing the Summer 2024 issue, featuring Mishka Rushdie Momen

News

Friday, May 24, 2024

| International Piano

Mishka Rushdie Momen: the joys of playing Byrd and Bull on a modern piano | Grigory Ginzburg: the life and music of a Russian master

Video of the Day: Claire Booth performs 'Der genügsame Liebhaber'

Features

Friday, May 24, 2024

| Opera Now

Taken from her new album ‘Expressionist Music’, Claire Booth and Christopher Glynn explore the world of Schoenberg's songs

Benno Moiseiwitsch's legacy of musical integrity and emotional depth

Features

Friday, May 24, 2024

| International Piano

Mark Ainley celebrates the timeless artistry of Benno Moiseiwitsch, a pianist who combined soaring lyricism with scintillating technical ease, and mischievous charm with deep sincerity

Review - Rachmaninov for Two (Sergei Babayan, Daniil Trifonov)

Review

Friday, May 24, 2024

| International Piano

‘This is dazzling piano-playing, to be sure, with an enviable display of clarity’

Video of the Day: VOCES8 Foundation Choir & Orchestra performs Eric Whitacre's 'Sleep'

Features

Friday, May 24, 2024

| Choir and Organ

Barnaby Smith conducts the ensemble in the first single from upcoming album 'To Sing of Love'

Search Results

Review - Mozart ‘The Sonata Project: Salzburg’ (Yundi)

Review - Ravel: ‘The Complete Works For Solo Piano, Vol 1’ (Vincent Larderet)

Review - Liszt: Piano Sonata in B minor, etc (Nelson Goerner)

Can Çakmur on Schubert and Krenek

Liszt’s Venezia e Napoli: a guide to the greatest recordings

Review - Chopin: Études, Opp 10 & 25 (Yunchan Lim)

Review - ‘Debussy and Ravel for Two’ (Alessio Bax, Lucille Chung)

Review - Liszt ‘Complete Piano Music, Vol 61, Transcriptions from Operas’ (Martin Cousin)

Review - Fauré: Complete Piano Music (Lucas Debargue)

Review - Sorabji: Opus clavicembalisticum (Daan Vandewalle)

Cimarosa: L'Olimpiade with Les Talens Lyriques at the Royal Opera of Versailles

Review - Schumann: Arabeske, Davidsbündlertänze, Faschingsschwank aus Wien (Sergey Tanin)

Polarising pianist: Alexis Weissenberg

Grigory Ginzburg: a refined virtuoso

Ermonela Jaho and Carlo Rizzi at the Wigmore Hall | Live Review

Review - Reger: Lieder von Johannes Brahms (Rudolf Buchbinder)

Why do some musicians move us while others do not?

Review - Bronsart and Henselt Piano Concertos (Paul Wee)

Sorabji’s Opus clavicembalisticum: exploring a musical cosmos

Review - Lutyens: ‘Piano Works, Vol 3’ (Martin Jones)

International Piano: introducing the Summer 2024 issue, featuring Mishka Rushdie Momen

Video of the Day: Claire Booth performs 'Der genügsame Liebhaber'

Benno Moiseiwitsch's legacy of musical integrity and emotional depth

Review - Rachmaninov for Two (Sergei Babayan, Daniil Trifonov)

Video of the Day: VOCES8 Foundation Choir & Orchestra performs Eric Whitacre's 'Sleep'

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