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Max Bruch: Touching the Divine

    Features
  • Thursday, August 20, 2020
    • | Gramophone
He may have been less adventurous than Brahms but Bruch had a remarkable ear for melody, and in his late works he captured a profound level of expression, writes Andrew Mellor as we approach the centenary of the composer’s death

Why I refuse to accept the current state of (non) play

    Blogs
  • Wednesday, August 19, 2020
    • | Gramophone
Jamie Walton, cellist and Founder and Curator of the North York Moors Chamber Music Festival on how live concerts must not be allowed to fade away: 'We seem to be living in some kind of paralysed state, whilst the rest of Europe creatively wakes up'