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Anne Dudley on how a new piano inspired her lockdown album

Podcasts

Friday, April 29, 2022

| Gramophone

'Crossing the Bar', inspired by the poem by Tennyson, emerged from the solitude enforced by the pandemic

Magdalen's May Morning tradition returns

Classical Music News

Friday, April 29, 2022

| Gramophone

You can also livestream the Oxford college choir's event - and listen to their new album

Top 10 Baroque composers

Features

Thursday, April 28, 2022

| Gramophone

From around 1600 to 1750, the Baroque period witnessed the creation of some of the greatest musical masterpieces ever composed. Here's our beginner's guide to the greatest composers of the Baroque period

Rediscovering Holst's Sāvitri

Blogs

Thursday, April 28, 2022

| Gramophone

Britten Sinfonia and Pagrav Dance Company join forces at the Barbican next week to explore this fascinating work afresh

Video of the Day: Natalya Romaniw on Rusalka

Features

Wednesday, April 27, 2022

| Gramophone

The soprano discusses the role, ahead of her Edinburgh International Festival performance

Why a label’s commitment to an artist matters

Blogs

Tuesday, April 26, 2022

| Gramophone

Signing, and nurturing, musicians is as important as ever

The BBC Proms 2022: a return to large scale events and international orchestras

Classical Music News

Tuesday, April 26, 2022

| Gramophone

Visiting ensembles to include the Ukrainian Freedom Orchestra, while anniversary themes include the BBC's centenary

Emmanuelle Haïm on 20 years of Le Concert d’Astrée

Podcasts

Friday, April 22, 2022

| Gramophone

The French conductor and harpsichordist celebrates the anniversary of her ensemble

Video of the Day: Louise Alder singing Strauss's Four Last Songs

Features

Friday, April 22, 2022

| Gramophone

'Beim Schlafengehen' and 'Im Abendrot' - recorded at the Leeds Lieder Festival, with Joseph Middleton

Klaus Mäkelä interview: ‘You don’t have to play for the hall; you just have to seduce the microphones’

Features

Friday, April 22, 2022

| Gramophone

Still in his twenties, the Oslo Philharmonic’s Chief Conductor Klaus Mäkelä is remarkably clear-sighted about what he wants to achieve and how – even after lockdown required a different approach to recording his debut album of the Sibelius symphonies, writes Andrew Mellor. Photography by Marco Borggreve

Search Results

Anne Dudley on how a new piano inspired her lockdown album

Magdalen's May Morning tradition returns

Top 10 Baroque composers

Rediscovering Holst's Sāvitri

Video of the Day: Natalya Romaniw on Rusalka

Why a label’s commitment to an artist matters

The BBC Proms 2022: a return to large scale events and international orchestras

Emmanuelle Haïm on 20 years of Le Concert d’Astrée

Video of the Day: Louise Alder singing Strauss's Four Last Songs

Klaus Mäkelä interview: ‘You don’t have to play for the hall; you just have to seduce the microphones’

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