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Classical music's blurred boundaries

    Features
  • Tuesday, June 27, 2017
    • | Gramophone
The ‘classical music’ label is proving outdated for many of today’s creative artists who thrive on the ever-decreasing gap between the art form and other music genres, writes Kate Molleson

Alberich, by Andrew Shore

    Features
  • Monday, June 19, 2017
    • | Gramophone
Getting under Alberich's skin is a joy, says Andrew Shore, who has performed the role in both English and German

Brünnhilde, by Deborah Voigt

    Features
  • Monday, June 19, 2017
    • | Gramophone
Deborah Voigt gives an insight into the extraordinary demands that are placed on her shoulders when she assumes the role of Brünnhilde

Wagner's greatest roles

    Features
  • Monday, June 19, 2017
    • | Gramophone
How does it feel to encounter, at first hand, the Herculean demands made by Wagner’s most iconic roles? By Arnold Whittall

Reputations: Régine Crespin

    Features
  • Monday, June 19, 2017
    • | Gramophone
Despite the 'unearthly, silvery beauty' of her voice, the unforgiveable reality of Régine Crespin's career, says Patrick O'Connor, is that no record company offered her a complete opera in French when she was at the height of her powers