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George Li introduces his new album of dance‑related works by Ravel, Schumann and Stravinsky and explores what binds these pieces into a cohesive programme

Ilona Eibenschütz: piano-playing from another era

Features

Friday, August 30, 2024

| International Piano

Mark Ainley revisits the playing of the Hungarian pianist Ilona Eibenschütz, who knew Brahms and Clara Schumann, and whose pianism sheds fascinating light on the kind of playing they might have expected to hear

Review - ‘Concertos without Orchestra’ (Salih Can Gevrek)

Review

Friday, August 30, 2024

| International Piano

He prompts your awareness in Schumann’s tortuous F minor Sonata of Clara Schumann’s fears for her husband’s genius, for a mind and imagination that soared gloriously but dangerously close to the edge

Explore ‘Dalia’s Mixtape’ with the Gramophone Podcast

Features

Friday, August 30, 2024

| Gramophone

Follow Dalia Stasevska's mixtape project with a new podcast as each new track is released

Review - Yvonne Loriod's Complete Véga Recordings

Review

Friday, August 30, 2024

| International Piano

Richard Whitehouse explores the complete Véga recordings by Yvonne Loriod, reissued to mark her centenary, and finds a pianist of wide-ranging sympathies

Review - ‘Reformation’ (Mishka Rushdie Momen)

Review

Friday, August 30, 2024

| International Piano

Momen’s playing brims with zest, clarity and refinement

Bryce Dessner on his new album 'Solos'

Podcasts

Friday, August 30, 2024

| Gramophone

The composer explores his new release of work for solo artists

Busoni’s solo piano music: a comprehensive guide

Features

Friday, August 30, 2024

| International Piano

Richard Whitehouse offers a survey of the piano music of Ferruccio Busoni, from derivative early sketches to majestic late masterpieces, and explores its recorded history

Search Results

Review - Albéniz: Iberia – Books 1 & 2; Granados: Goyescas, Op 11 – Book 1 (Peter Donohoe)

Sergei Edelmann: the music of my life

Review - Beethoven | Mozart | Schoenberg | Webern (Karim Said)

No doubt about it, audience behaviour is getting worse...

'I’ve been unintentionally carving a niche for myself in creating script for opera' | Director and writer Laura Attridge on Pergolesi at Vache Baroque Festival

Lliam Paterson: Sherlock Holmes - The Sign of Four at Leeds Opera Festival | Live Review

Introducing the Autumn 2024 issue of International Piano, featuring Isata Kanneh-Mason

George Li: an invitation to dance

Ilona Eibenschütz: piano-playing from another era

Review - ‘Concertos without Orchestra’ (Salih Can Gevrek)

Explore ‘Dalia’s Mixtape’ with the Gramophone Podcast

Review - Yvonne Loriod's Complete Véga Recordings

Review - ‘Reformation’ (Mishka Rushdie Momen)

Bryce Dessner on his new album 'Solos'

Busoni’s solo piano music: a comprehensive guide

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