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The real reason men dominate major piano competitions

Friday, August 30, 2024

| International Piano

Rhonda Boyle presents peer-reviewed evidence to explain the lack of women among the top prize winners at major piano competitions – this does not involve jury bias

Katya Apekisheva: Q&A

Features

Friday, August 30, 2024

| International Piano

International Piano meets... Katya Apekisheva

Review - ‘Movements’ (George Li)

Review

Friday, August 30, 2024

| International Piano

A fully convincing display of the still-young pianist’s musicianship, blending maturity, intelligence and sensitivity with fully fledged prowess

Review - Debussy: Images (Saskia Giorgini)

Review

Friday, August 30, 2024

| International Piano

The key to this release is the intimacy, often merged with yearning, at its core

Review - Mozart & Poulenc: Double & Triple Concertos (Karin Kei Nagano, Mari Kodama, Momo Kodama)

Review

Friday, August 30, 2024

| International Piano

It’s a true family affair, and the rapport is palpable in performances that revel in the joyfulness abounding in both works

Review - Albéniz: Iberia – Books 1 & 2; Granados: Goyescas, Op 11 – Book 1 (Peter Donohoe)

Review

Friday, August 30, 2024

| International Piano

Whether you find the performances refreshingly uneccentric or slightly lacking in spice will depend on your taste

Sergei Edelmann: the music of my life

Features

Friday, August 30, 2024

| International Piano

Sergei Edelmann reflects on recordings that shaped his musical upbringing, from The Beatles to Horowitz

Review - Beethoven | Mozart | Schoenberg | Webern (Karim Said)

Review

Friday, August 30, 2024

| International Piano

With pianists of the stature of Schnabel, Brendel, Richter, Gilels and most recently Cédric Tiberghien in the catalogue, this is hard to recommend

No doubt about it, audience behaviour is getting worse...

Features

Friday, August 30, 2024

| International Piano

Charivari lets off some steam and laments some all-too-common traits of audience behaviour

'I’ve been unintentionally carving a niche for myself in creating script for opera' | Director and writer Laura Attridge on Pergolesi at Vache Baroque Festival

Features

Friday, August 30, 2024

| Opera Now

Director Laura Attridge shares her unique process of directing and creating a script for Pergolesi's L'Olimpiade at Vache Baroque Festival

Lliam Paterson: Sherlock Holmes - The Sign of Four at Leeds Opera Festival | Live Review

Review

Friday, August 30, 2024

| Opera Now

Lliam Paterson's new opera for the Northern Opera Group brought a thoroughly entertaining reading of Conan Doyle's classic

Introducing the Autumn 2024 issue of International Piano, featuring Isata Kanneh-Mason

News

Friday, August 30, 2024

| International Piano

Isata Kanneh-Mason: championing both Felix and Fanny Mendelssohn

George Li: an invitation to dance

Features

Friday, August 30, 2024

| International Piano

George Li introduces his new album of dance‑related works by Ravel, Schumann and Stravinsky and explores what binds these pieces into a cohesive programme

Ilona Eibenschütz: piano-playing from another era

Features

Friday, August 30, 2024

| International Piano

Mark Ainley revisits the playing of the Hungarian pianist Ilona Eibenschütz, who knew Brahms and Clara Schumann, and whose pianism sheds fascinating light on the kind of playing they might have expected to hear

Review - ‘Concertos without Orchestra’ (Salih Can Gevrek)

Review

Friday, August 30, 2024

| International Piano

He prompts your awareness in Schumann’s tortuous F minor Sonata of Clara Schumann’s fears for her husband’s genius, for a mind and imagination that soared gloriously but dangerously close to the edge

Search Results

The real reason men dominate major piano competitions

Katya Apekisheva: Q&A

Review - ‘Movements’ (George Li)

Review - Debussy: Images (Saskia Giorgini)

Review - Mozart & Poulenc: Double & Triple Concertos (Karin Kei Nagano, Mari Kodama, Momo Kodama)

Review - Albéniz: Iberia – Books 1 & 2; Granados: Goyescas, Op 11 – Book 1 (Peter Donohoe)

Sergei Edelmann: the music of my life

Review - Beethoven | Mozart | Schoenberg | Webern (Karim Said)

No doubt about it, audience behaviour is getting worse...

'I’ve been unintentionally carving a niche for myself in creating script for opera' | Director and writer Laura Attridge on Pergolesi at Vache Baroque Festival

Lliam Paterson: Sherlock Holmes - The Sign of Four at Leeds Opera Festival | Live Review

Introducing the Autumn 2024 issue of International Piano, featuring Isata Kanneh-Mason

George Li: an invitation to dance

Ilona Eibenschütz: piano-playing from another era

Review - ‘Concertos without Orchestra’ (Salih Can Gevrek)

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